Facelift 1984
Tony Bicât's *Facelift (1984)* plunges into a grimly imaginative dystopia where society fractures between the privileged 'numbers' and the forgotten 'names.
Director: Tony Bicât
Cast
Frequently Asked Questions
What is Facelift (1984) about?
*Facelift* unfolds in a near-future society split between the elite 'numbers' and the struggling 'names.' The latter drown their sorrows at Zax's cabaret, a glittering refuge from their bleak lives. When Zax becomes obsessed with a rebellious 'number,' his fixation leads to a chilling experiment—crafting a robotic doppelgänger of her.
Who directed Facelift?
The film was directed by Tony Bicât, a filmmaker known for blending sci-fi with offbeat musical elements.
Who stars in Facelift?
The cast includes Martin Shaw, Clarke Peters, Sue Jones-Davies, Eleanor David, and John Le Mesurier.
Is Facelift (1984) worth watching?
*Facelift* is a fascinating oddity for fans of 80s sci-fi and dystopian tales. Its 78-minute runtime keeps the story tight, while the themes of class and artificiality offer plenty to ponder. Though not widely rated, its cult appeal and stylistic flair make it a memorable watch.
How long is Facelift?
The film runs for 78 minutes.
About Facelift (1984) — A Dystopian Cabaret Where Artifice Meets Rebellion
Tony Bicât's *Facelift (1984)* plunges into a grimly imaginative dystopia where society fractures between the privileged 'numbers' and the forgotten 'names.' In this bleak landscape, the oppressed masses seek solace in Zax's enigmatic cabaret—a dazzling escape from their harsh reality. But when Zax, the cabaret's magnetic leader, becomes entangled with a rebellious 'number,' his obsession takes a darkly mechanical turn. The film weaves a haunting tale of class divide, identity, and the eerie allure of artificial dreams, wrapped in moody visuals and a pulsating synth score.
Starring Martin Shaw, Clarke Peters, and Sue Jones-Davies, *Facelift* blends sci-fi intrigue with the raw energy of a music-driven narrative, creating a cult curiosity that lingers like a half-remembered dream. Its 78-minute runtime races through a world where beauty and oppression collide, leaving audiences questioning what's real—and what's been manufactured.