Third Reality 2 1996
Third Reality 2 (1996) is a poignant tribute to a colleague and fellow filmmaker, Vladimir Kobrin's directorial venture.
Director: Vladimir Kobrin
Frequently Asked Questions
What is Third Reality 2 (1996) about?
This short film is a poignant tribute to a colleague and fellow filmmaker, delving into the realm of allegory through cinematography.
Who directed Third Reality 2?
Vladimir Kobrin directed Third Reality 2, a film that showcases his unique vision and dedication to the art of filmmaking.
Who stars in Third Reality 2?
Unfortunately, the cast of Third Reality 2 is not publicly available.
Is Third Reality 2 (1996) worth watching?
While its IMDb rating is unknown, the film's concise runtime and abstract storytelling make it a unique and captivating watch for fans of thought-provoking cinema.
How long is Third Reality 2?
Third Reality 2 has a runtime of 14 minutes.
About Third Reality 2 (1996) — A Haunting Allegory of Reality and Memory
Third Reality 2 (1996) is a poignant tribute to a colleague and fellow filmmaker, Vladimir Kobrin's directorial venture. The 14-minute short film delves into the realm of allegory through cinematography, evoking a thought-provoking atmosphere that explores the boundaries of reality. Dedicated to the memory of Svyatoslav Valov, a renowned documentary director, Third Reality 2 is an enigmatic and introspective cinematic experience that pays homage to the art of filmmaking. The movie's themes of memory and the human experience are woven together with a delicate touch, making it a unique and captivating watch.
With its concise runtime and abstract storytelling, Third Reality 2 (1996) challenges viewers to ponder the nature of reality and the impact of human memory on our perception of the world. Vladimir Kobrin's vision is a testament to the power of cinema to evoke emotions and spark introspection. While the cast and genre of the film remain a mystery, the director's intent is clear: to create a thought-provoking experience that lingers long after the credits roll.