Potatoes, Potatoes 2001
In *Potatoes, Potatoes* (2001), visionary artist Mladen Stilinović transforms a snowy forest into an unexpected stage for a simple yet profound experiment.
Director: Mladen Stilinović
Cast
Frequently Asked Questions
What is Potatoes, Potatoes (2001) about?
This four-minute documentary follows artist Mladen Stilinović as he sells cakes—rather than bread—in a remote, snowy forest. The film examines how cultural value is constructed through unconventional transactions and artistic choices.
Who directed Potatoes, Potatoes?
The film was directed by Mladen Stilinović, the Croatian conceptual artist known for exploring the intersections of language, labor, and value.
Who stars in Potatoes, Potatoes?
The sole credited participant is Mladen Stilinović, who both directs and stars in this minimalist documentary.
Is Potatoes, Potatoes (2001) worth watching?
Though it's an experimental short with no IMDb rating, *Potatoes, Potatoes* offers a thought-provoking glimpse into conceptual art and cultural critique. Its brevity and striking imagery make it a compelling watch for fans of avant-garde cinema.
How long is Potatoes, Potatoes?
The film runs for 4 minutes.
About Potatoes, Potatoes (2001) — A Snowy Forest's Unusual Artistic Experiment
In *Potatoes, Potatoes* (2001), visionary artist Mladen Stilinović transforms a snowy forest into an unexpected stage for a simple yet profound experiment. Against the stark, silent backdrop of a winter wilderness, the film captures Stilinović selling cakes—an artistic stand-in for humble bread—as he explores the layers of cultural meaning and economic value embedded in everyday objects.
This brief documentary, clocking in at just four minutes, blends performance art with social commentary, asking viewers to reconsider how value is assigned and perceived. The juxtaposition of the artist's solitary presence in nature with the act of selling unconventional goods creates a haunting atmosphere, inviting reflection on consumption, labor, and the commodification of art itself. Whether you're drawn to experimental cinema or curious about the boundaries of cultural production, *Potatoes, Potatoes* lingers long after the final frame.