Don't Get Personal 1922
"A zippy comedy drams of a "Follies" beauty who discovered the country air was not for a Broadway chick."
In *Don't Get Personal* (1922), Clarence G. Badger directs a lively silent-era romance-comedy starring Marie Prevost as Patricia Parker, a spirited chorus girl who trades the dazzling lights of Broadway for a quieter life in the countryside at the suggestion of her father.
Director: Clarence G. Badger
Cast
Frequently Asked Questions
What is Don't Get Personal (1922) about?
Patricia Parker, a vivacious chorus girl from New York, reluctantly leaves her glamorous life behind to experience the rural charm of Silas Wainwright's countryside estate. What begins as a well-intentioned escape quickly spirals into a series of comedic missteps as she grapples with the realities of country living.
Who directed Don't Get Personal?
The film was directed by Clarence G. Badger, a prolific filmmaker known for his work in silent-era comedies and early talkies.
Who stars in Don't Get Personal?
The film features Marie Prevost in the lead role, supported by George Nichols, T. Roy Barnes, Roy Atwell, and Daisy Jefferson.
Is Don't Get Personal (1922) worth watching?
While it may not be a household name today, *Don't Get Personal* offers a charming glimpse into early silent comedy with its blend of humor and heart. Fans of vintage rom-coms or Marie Prevost's filmography will likely find its lighthearted escapism rewarding.
How long is Don't Get Personal?
The film runs for 50 minutes.
About Don't Get Personal (1922) — A 1920s Romantic Comedy with Marie Prevost
In *Don't Get Personal* (1922), Clarence G. Badger directs a lively silent-era romance-comedy starring Marie Prevost as Patricia Parker, a spirited chorus girl who trades the dazzling lights of Broadway for a quieter life in the countryside at the suggestion of her father. Directed by the seasoned filmmaker behind *The Love Bug* and other early comedies, the film blends slapstick humor with gentle social commentary, capturing the culture clash between city glamour and rural simplicity. The story unfolds in a series of charming misadventures as Patricia navigates the challenges of country living, discovering that not all that glitters in the city translates to peace in the sticks. With its breezy pacing and playful tone, the movie offers a snapshot of 1920s America's fascination with escape and reinvention.
The film's atmosphere is lighthearted yet subtly ironic, reflecting the era's evolving attitudes toward leisure, class, and personal freedom. Prevost's charismatic performance anchors the narrative, supported by a talented ensemble including George Nichols and T. Roy Barnes. While rooted in the conventions of early comedy, *Don't Get Personal* stands out for its witty subversion of expectations, making it a delightful time capsule for fans of silent cinema and vintage rom-coms alike.