Bust-Up 1989
"Tea time will never be the same!"
Directed by Cathy Cook, *Bust-Up (1989)* is a razor-sharp comedy short that packs a surprising punch in just seven minutes.
Director: Cathy Cook
Cast
Frequently Asked Questions
What is Bust-Up (1989) about?
*Bust-Up* follows a woman's afternoon tea that takes a wild turn when she unexpectedly morphs into a series of exaggerated female archetypes, each obsessed with perfect manners and social hierarchy. What begins as a civil gathering quickly descends into a hilarious parody of gender roles and class expectations.
Who directed Bust-Up?
Cathy Cook directed *Bust-Up* (1989), crafting a sharp, satirical short that blends comedy with social commentary.
Who stars in Bust-Up?
Holly Brown headlines the cast with a standout performance in this 7-minute comedy.
Is Bust-Up (1989) worth watching?
While *Bust-Up* is an unconventional pick, its clever satire and compact runtime make it a fun watch for fans of quirky shorts. Without an IMDb rating to gauge reception, its charm lies in its audacious premise and brief runtime—ideal for a quick comedic break.
How long is Bust-Up?
The film runs approximately 7 minutes.
About Bust-Up (1989) — A 7-Minute Comedy Short That Explodes Etiquette Stereotypes
Directed by Cathy Cook, *Bust-Up (1989)* is a razor-sharp comedy short that packs a surprising punch in just seven minutes. The film follows Holly Brown's character through a seemingly ordinary afternoon tea that spirals into a whirlwind of exaggerated female personas, each clinging to rigid etiquette, pedigree, and hospitality like life rafts in a sea of absurdity. From prim matriarchs to dramatic socialites, Brown's rapid shifts mock traditional gender roles and societal stereotypes with playful precision, leaving viewers both tickled and intrigued by the chaos. The atmosphere is a delightful mix of farce and satire, where every teacup and cucumber sandwich becomes a prop in a cheeky commentary on social norms.
A standout in micro-cinema, *Bust-Up* blends sharp wit with visual gags to deliver a memorable critique of formal propriety. Cook's direction and Brown's magnetic performance turn a simple setting into a stage for hilarious deconstruction, proving that even the most mundane rituals can become explosive when pushed to extremes.