"Sorry/Hear Us" 1984
"Sorry/Hear Us" (1984) is an experimental short film directed by Larry Gottheim that explores the boundaries of language and cinema.
Director: Larry Gottheim
Frequently Asked Questions
What is "Sorry/Hear Us" (1984) about?
This 8-minute experimental film explores how language can be dismantled and reassembled to create new meanings. Director Larry Gottheim and his students deconstructed a poem by playing it backward, then used the resulting words to inspire visuals and sounds, turning linguistic experimentation into cinematic art.
Who directed "Sorry/Hear Us"?
Larry Gottheim directed "Sorry/Hear Us" (1984). He is known for his innovative approach to experimental and documentary filmmaking, often pushing the boundaries of traditional narrative structures.
Who stars in "Sorry/Hear Us"?
Director information is not available.
Is "Sorry/Hear Us" (1984) worth watching?
"Sorry/Hear Us" (1984) is a niche experimental short that may appeal to fans of avant-garde cinema seeking a thought-provoking experience. Its unconventional methods and brief runtime make it a quick but intriguing watch, though it may not appeal to mainstream audiences.
How long is "Sorry/Hear Us"?
Runtime details are not listed.
About "Sorry/Hear Us" (1984) — How Language and Film Collide in an Avant-Garde Short
"Sorry/Hear Us" (1984) is an experimental short film directed by Larry Gottheim that explores the boundaries of language and cinema. Created with students from one of his seminars, the film begins by deconstructing a poem's text through backward playback, uncovering hidden words and meanings. These newly revealed phrases became the foundation for original visuals and soundscapes, a creative process that transformed linguistic exploration into a visually immersive experience. The result is a fleeting yet intriguing 8-minute journey that challenges traditional storytelling by letting abstract imagery and sound emerge organically from language itself. The film's experimental nature invites viewers to reflect on how meaning is constructed, dissolved, and reconstructed through unconventional methods.
Atmospherically, "Sorry/Hear Us" (1984) exudes a meditative yet playful energy, as it strips away the expected to reveal something raw and unexpected. Gottheim's approach blurs the line between academic exercise and artistic statement, making it a fascinating entry for fans of avant-garde cinema. The interplay between sound, image, and text creates a hypnotic rhythm that lingers long after the credits roll.