Kick In Poster

Kick In 1922

70 min📅 1922-12-17

In *Kick In (1922)*, director George Fitzmaurice crafts a gripping silent-era crime drama about redemption and defiance.

Director: George Fitzmaurice

Cast

Betty Compson
Betty Compson
Molly Brandon
Bert Lytell
Bert Lytell
Chick Hewes
May McAvoy
May McAvoy
Myrtle
Gareth Hughes
Gareth Hughes
Benny
Robert Agnew
Robert Agnew
Jerry Brandon
John Miltern
John Miltern
District Attorney Brandon
Charles A. Stevenson
Charles A. Stevenson
Hansome (the Yegg)
Jed Prouty
Jed Prouty
Jimmy Monahan
Charles Ogle
Charles Ogle
John Stephens
Kathleen Clifford
Kathleen Clifford
Frou Frou

Frequently Asked Questions

What is Kick In (1922) about?

This silent-era crime drama follows Chic Hewes, a reformed ex-con who faces relentless police harassment after leaving prison. After witnessing a hit-and-run accident involving the district attorney's son, Hewes is driven to take one final stand—by committing a heist to avenge an injustice done to a grieving mother.

Who directed Kick In?

George Fitzmaurice directed *Kick In*. Known for his work in early Hollywood, Fitzmaurice crafted this tense drama with a focus on moral conflict and character-driven storytelling.

Who stars in Kick In?

The film stars Betty Compson as Molly, May McAvoy as the aggrieved mother, and Bert Lytell in the lead role as Chic Hewes, with Gareth Hughes, Robert Agnew, and John Miltern rounding out the cast.

Is Kick In (1922) worth watching?

While it holds an unrated status on IMDb, *Kick In* offers a compelling blend of crime drama and moral complexity from the silent era. Fans of early cinema and gritty, character-driven stories will appreciate its tense atmosphere and strong performances.

How long is Kick In?

Kick In (1922) has a runtime of 70 minutes.

About Kick In (1922) — A Gritty Silent-Era Crime Drama of Redemption

In *Kick In (1922)*, director George Fitzmaurice crafts a gripping silent-era crime drama about redemption and defiance. After serving a prison sentence in Sing Sing, ex-con Chic Hewes is determined to leave his criminal past behind—until relentless police pressure pushes him to the edge. When he witnesses a tragic hit-and-run involving the son of the district attorney, Hewes' sense of justice is ignited. Torn between his own desire for a clean slate and his outrage over the injustice done to a grieving mother, he makes a fateful decision: one last heist to even the scales.

With Betty Compson as Molly, the compassionate D.A.'s daughter, and Bert Lytell as the tormented Hewes, the film unfolds with tense moral dilemmas and a gritty, atmospheric tone. Fitzmaurice's direction infuses the story with raw emotion, exploring themes of morality, retribution, and the blurred lines between right and wrong in a world that offers little grace.