Mañas y patrañas de gente extraña Poster

Mañas y patrañas de gente extraña 1978

★ 6.01 votes9 min📅 1978-01-01

Mañas y patrañas de gente extraña (1978) is a bold, politically charged animated short that emerged during Argentina's turbulent post-coup era.

Director: Alfredo Zalnero

Frequently Asked Questions

What is Mañas y patrañas de gente extraña (1978) about?

This animated short film uses allegorical storytelling to critique political deception and ideological extremism in post-1976 Argentina. Through surreal visuals and sharp satire, it exposes the absurdity of manipulation in times of crisis.

Who directed Mañas y patrañas de gente extraña?

The film was directed by Alfredo Zalnero, a filmmaker whose work reflects the charged political climate of Argentina's late 1970s.

Who stars in Mañas y patrañas de gente extraña?

Cast details for this short film are not publicly listed, leaving the focus solely on its director and thematic impact.

Is Mañas y patrañas de gente extraña (1978) worth watching?

Despite its 9-minute runtime, this obscure animated short offers a unique lens into Argentina's political history and propaganda aesthetics. Its rarity and bold themes make it intriguing for niche audiences, though availability remains limited.

How long is Mañas y patrañas de gente extraña?

The film runs for 9 minutes.

About Mañas y patrañas de gente extraña (1978) — A 9-Minute Animated Political Satire Unveiled

Mañas y patrañas de gente extraña (1978) is a bold, politically charged animated short that emerged during Argentina's turbulent post-coup era. Directed by Alfredo Zalnero, this 9-minute film blends sharp satire with the avant-garde spirit of its time, using allegorical storytelling to critique ideological extremes. Set against a backdrop of social unrest, the animation's visual style amplifies its subversive tone, weaving dark humor with unsettling commentary on authority and deception. While rooted in Argentina's 1976 military junta context, its themes of manipulation and obscured truths resonate far beyond its era, making it a fascinating relic of propaganda-era cinema.

Though brief, Mañas y patrañas de gente extraña stands out for its unflinching political stance, delivered through the lens of animation—a medium often underestimated in its power to provoke. Zalnero's direction crafts a surreal, dreamlike atmosphere where familiar faces become distorted symbols of hypocrisy. For history buffs and animation enthusiasts alike, this obscure yet bold short offers a rare glimpse into how art responded to crisis, balancing brevity with biting relevance.