
Good Romance 2001
Good Romance (2001) is a poignant short drama by acclaimed Korean director Leesong Hee-il, exploring the delicate tension between affection and societal expectations.
Director: Leesong Hee-il
Cast

Frequently Asked Questions
What is Good Romance (2001) about?
The film portrays a brief but meaningful meeting between Mi-hyeon and Weon-kyu, where their connection deepens despite the age difference and societal judgment. Their time together in the countryside reveals the fragility and strength of their bond.
Who directed Good Romance?
Good Romance was helmed by South Korean filmmaker Leesong Hee-il, known for his intimate storytelling and exploration of marginalized relationships.
Who stars in Good Romance?
The film features Park Mi-hyeon as Mi-hyeon and Lee Young-hoon as Weon-kyu, delivering understated yet powerful performances.
Is Good Romance (2001) worth watching?
Though short and unrated on IMDb, Good Romance offers a compelling, atmospheric take on unconventional love that fans of indie dramas will appreciate. Its emotional depth and Leesong Hee-il's direction make it a hidden gem worth discovering.
How long is Good Romance?
Good Romance has a runtime of 28 minutes.
Good Romance (2001): A Glimpse at Love Beyond Expectations — Full Movie Info
Good Romance (2001) is a poignant short drama by acclaimed Korean director Leesong Hee-il, exploring the delicate tension between affection and societal expectations. The film follows Mi-hyeon, a 33-year-old woman, as she visits Weon-kyu, her 18-year-old partner, in the quiet countryside. As their relationship unfolds in a rural inn, their emotional vulnerability becomes the heart of a story that defies norms and embraces raw sincerity.
With a runtime under 30 minutes, Good Romance captures the quiet intensity of unconventional love through subtle performances by Park Mi-hyeon and Lee Young-hoon. The film blends romance with social commentary, creating an atmosphere that's as introspective as it is emotionally charged. It's a tender, thought-provoking slice of Korean cinema that lingers long after the credits roll.