My Wife's Boyfriends Poster

My Wife's Boyfriends 1972

★ 1.33 votes85 min📅 1972-05-15

Set against the sun-soaked backdrop of La Molina, *My Wife's Boyfriends* (1972) follows Emilio Antúnez and his wife Charo as they embark on a holiday that quickly turns into a whirlwind of social surprises.

Director: Ramón Fernández

Cast

Alfredo Landa
Alfredo Landa
Emilio Antúnez
Esperanza Roy
Esperanza Roy
Charo
Jaime de Mora y Aragón
Jaime de Mora y Aragón
Julio Taboada
Helga Liné
Helga Liné
Aurora
Luis Dávila
Luis Dávila
Luis Otero
Josele Román
Josele Román
María
Andrés Pajares
Andrés Pajares
Heriberto Marmolejo 'Pepín de Triana'
Mirta Miller
Mirta Miller
Angelita
Licia Calderón
Licia Calderón
Alfonso del Real
Alfonso del Real
Don Onofre

Frequently Asked Questions

What is My Wife's Boyfriends (1972) about?

Emilio and Charo Antúnez head to La Molina for what they hope will be a relaxing vacation, but Charo's meticulous wardrobe choices soon lead to a series of comedic encounters. When she reconnects with an old friend married to a wealthy eccentric, the stage is set for a farce where fashion, ambition, and mistaken identities collide under the Mediterranean sun.

Who directed My Wife's Boyfriends?

The film was directed by Ramón Fernández, a Spanish filmmaker known for his work in comedy during the 1970s.

Who stars in My Wife's Boyfriends?

The film stars Alfredo Landa and Esperanza Roy as the lead couple, joined by Jaime de Mora y Aragón, Helga Liné, and Luis Dávila in key roles.

Is My Wife's Boyfriends (1972) worth watching?

Though unrated on IMDb, this Spanish comedy's lighthearted tone and sharp social satire make it a charming time capsule of 1970s European cinema. Fans of classic farces with a touch of cheeky wit will find plenty to enjoy in its breezy escapism.

How long is My Wife's Boyfriends?

The runtime of My Wife's Boyfriends is 85 minutes.

About My Wife's Boyfriends (1972) — A Sun-Soaked Spanish Farce of Wardrobes and Social Climbing

Set against the sun-soaked backdrop of La Molina, *My Wife's Boyfriends* (1972) follows Emilio Antúnez and his wife Charo as they embark on a holiday that quickly turns into a whirlwind of social surprises. Charo, ever the planner, packs an enviable wardrobe for what she hopes will be glamorous encounters—especially when she reunites with Aurora, an old school friend married to Taboada, a flamboyant millionaire with a knack for the eccentric. As the lines between curiosity and comedy blur, this Spanish farce from director Ramón Fernández delivers a playful critique of vanity, social climbing, and the lengths people go to impress in the name of vacation thrills.

With its sun-drenched visuals, snappy dialogue, and a cast of larger-than-life characters, the film captures the giddy, carefree spirit of 1970s European comedies. Landa and Roy's chemistry crackles as they navigate a world where appearances matter more than authenticity, and unexpected alliances form where none were expected. It's a breezy, escapist romp where every wardrobe choice and social misstep fuels the laughs.