Azoth 1973

Overview

This work produces complex flicker patterns by splicing together four types of footage, consisting of shots of the exterior of a factory during the day and at night, in positive and negative versions. Nakai created a masking film with a calculated pattern of black and white frames into which he inserted positive and negative images and made a print out of two separate rolls of film. “Images of an industrial zone in constant operation day and night are utilized with the sense that it encapsulate