The 10th Victim 1965
"It's the 21st century and they have a licence to kill."
Elio Petri's *The 10th Victim (1965)* is a razor-sharp satire set in a futuristic society where violence is commodified for entertainment.
Director: Elio Petri
Cast
Marcello Mastroianni
Marcello Polletti
Ursula Andress
Caroline Meredith
Elsa Martinelli
Olga
Salvo Randone
Professor
Massimo Serato
Lawyer Rossi
Milo Quesada
Rudi
Luce Bonifassy
Lidia Poletti
George Wang
Chinese Hunter
Evi Rigano
Victim at Hunt Ministry
Walter Williams
Cole
Frequently Asked Questions
What is The 10th Victim (1965) about?
In a world where global conflict is replaced by sanctioned murder as entertainment, *The 10th Victim* follows two skilled adversaries locked in a deadly dance of hunter and prey. Their game, broadcast to millions, forces them to question whether survival or victory truly matters in a society that thrives on chaos.
Who directed The 10th Victim?
Elio Petri directed this cult classic, known for blending social satire with stylish visuals in his provocative filmography.
Who stars in The 10th Victim?
The film stars Marcello Mastroianni as the cunning hunter and Ursula Andress as his equally ruthless counterpart, with Elsa Martinelli adding a layer of intrigue to the deadly competition.
Is The 10th Victim (1965) worth watching?
For fans of offbeat sci-fi and biting satire, *The 10th Victim* remains a fascinating time capsule of 1960s futurism. Its clever premise and standout performances make it a must-watch for those who enjoy films that challenge societal norms.
How long is The 10th Victim?
The film runs for 92 minutes, offering a tight, engaging narrative packed with tension and dark humor.
🎥 Trailer
About The 10th Victim (1965) — A Futuristic Killer's Game Explored
Elio Petri's *The 10th Victim (1965)* is a razor-sharp satire set in a futuristic society where violence is commodified for entertainment. Instead of waging large-scale wars, the world indulges the bloodiest impulses through 'The Big Hunt,' a televised spectacle where participants alternate between hunter and prey across ten deadly rounds. Marcello Mastroianni and Ursula Andress embody the game's cynical allure, blending seductive charm with moral ambiguity as they navigate a world where fame and survival are equally fleeting.
Blending dark comedy with sci-fi and drama, Petri crafts a visually striking critique of celebrity culture and desensitized brutality. The film's sleek, stylized aesthetic contrasts with its unsettling premise, creating an atmosphere that's equal parts thrilling and provocative. *The 10th Victim (1965)* isn't just a time capsule of mid-century futurism—it's a haunting reflection on humanity's obsession with spectacle and self-destruction.
