Umbabarauma 1989
Umbabarauma (1989) is a vibrant four-minute animated short crafted by director Susan Young to complement Jorge Ben's infectious track *Ponta de Lanca Africano (Umbabarauma)* from the *Beleza Tropical: Brazil Classics 1* compilation.
Director: Susan Young
Frequently Asked Questions
What is Umbabarauma (1989) about?
Umbabarauma is a visual companion to Jorge Ben's infectious track, blending animation with the song's sensual and lyrical power. The film captures the spirit of Brazil's 1970s–1980s resistance music scene, translating its political urgency and cultural richness into abstract, flowing imagery.
Who directed Umbabarauma?
Umbabarauma was directed by Susan Young, a filmmaker known for her innovative and politically engaged visual work during the 1980s.
Who stars in Umbabarauma?
Cast details for Umbabarauma are not publicly listed, as the film focuses primarily on animation and music rather than performers.
Is Umbabarauma (1989) worth watching?
At just four minutes long, Umbabarauma is a hidden gem for animation and music lovers. While it's unrated on IMDb, its unique fusion of visual art and protest music makes it a compelling watch for those interested in Brazil's cultural history or experimental short films.
How long is Umbabarauma?
Umbabarauma runs for approximately four minutes.
About Umbabarauma (1989) — A brief but brilliant animated tribute to Brazilian resistance music
Umbabarauma (1989) is a vibrant four-minute animated short crafted by director Susan Young to complement Jorge Ben's infectious track *Ponta de Lanca Africano (Umbabarauma)* from the *Beleza Tropical: Brazil Classics 1* compilation.
Curated by David Byrne of Talking Heads fame, this album was a bold act of cultural resistance during Brazil's military dictatorship, shining a spotlight on the country's rich musical heritage amid oppression. Young's film distills the music's sensual energy and poetic depth into a visual feast, pairing abstract imagery with rhythmic animation that subtly nods to the era's social and political struggles. The result is a hypnotic, politically charged mini-cinematic experience that feels as timeless as it does timely.