
Saturday, Sunday and Friday 1979
Dive into the whimsical world of *Saturday, Sunday and Friday* (1979), a trio of Italian comedy sketches directed by Castellano that blends humor with everyday chaos.
Director: Castellano
Cast









Frequently Asked Questions
What is Saturday, Sunday and Friday (1979) about?
This Italian comedy anthology explores three unrelated yet equally hilarious stories set over a weekend. Each episode tackles a different slice of absurdity, from corporate pressure to sleepless nights and backstage drama, all delivered with sharp wit and slapstick energy.
Who directed Saturday, Sunday and Friday?
Castellano directed this trio of comedic vignettes, showcasing his knack for blending satire with lighthearted chaos.
Who stars in Saturday, Sunday and Friday?
The film features Edwige Fenech, Barbara Bouchet, Adriano Celentano, Lino Banfi, and Milena Vukotić in a mix of leading and supporting roles.
Is Saturday, Sunday and Friday (1979) worth watching?
As a classic Italian comedy from 1979, it's a nostalgic treat for fans of the genre. While not rated on IMDb, its blend of humor and cultural quirks makes it a solid pick for those seeking lighthearted entertainment.
How long is Saturday, Sunday and Friday?
The runtime is 108 minutes, offering nearly two hours of non-stop laughs.
About Saturday, Sunday and Friday (1979) — A Classic Italian Comedy Trio
Dive into the whimsical world of *Saturday, Sunday and Friday* (1979), a trio of Italian comedy sketches directed by Castellano that blends humor with everyday chaos.
The first episode follows a small Italian company navigating a high-stakes meeting with a Japanese executive, where corporate pressure meets cultural clashes. The second episode traps a man in a nightmare of domestic disruptions, turning an ordinary evening into a frenzy of misfortune. The third episode introduces a glamorous choreographer tangled in a tangle of ego and seduction with a rebellious dancer. Together, these vignettes capture the absurdity and charm of 1970s Italian life, blending satire with slapstick in a way only Castellano could.