Tremors 1984

Overview

Tall buildings and cars are shot through the Kinemacolor process, variable color filters and a water lens. Sturdiness jousts with fragility, past with present, alienation with tenderness, abrasiveness with sensuality, red with green. The camera is moving in the slick of space. Shapes vibrate selectively out of the image; others at different points in space and in turn, vibrate or flash as vibrations also vary in rhythms and intensity. The Kinemacolor process was use in 1915 to obtain fairly illu