
Doulaye, une saison des pluies 2000
As June ushers in Mali's rainy season, French filmmaker Henri-François Imbert lands in Bamako on a personal quest. His destination? The home of Doulaye Danioko, an old friend whose presence lingers in the humid air and the rustle of the approaching monsoon.
Director: Henri-François Imbert
Frequently Asked Questions
What is Doulaye, une saison des pluies (2000) about?
Henri-François Imbert travels to Bamako at the start of Mali's rainy season, seeking his friend Doulaye Danioko. His search becomes a poetic journey through urban and emotional landscapes, set against the backdrop of seasonal change and the passage of time.
Who directed Doulaye, une saison des pluies?
Henri-François Imbert directed Doulaye, une saison des pluies (2000), crafting a deeply personal documentary rooted in friendship and place.
Who stars in Doulaye, une saison des pluies?
While the cast is not fully listed, Henri-François Imbert and Doulaye Danioko are central figures in this documentary, shaped by their relationship and shared memories.
Is Doulaye, une saison des pluies (2000) worth watching?
As a reflective, 80-minute documentary, it offers a quiet but compelling look at friendship and travel. Its intimate scale and seasonal setting make it an engaging watch for fans of personal cinema, even without a rating.
How long is Doulaye, une saison des pluies?
Doulaye, une saison des pluies runs for 80 minutes.
About Doulaye, une saison des pluies (2000) — A French director's journey through Mali's rainy season to find an old friend
As June ushers in Mali's rainy season, French filmmaker Henri-François Imbert lands in Bamako on a personal quest. His destination? The home of Doulaye Danioko, an old friend whose presence lingers in the humid air and the rustle of the approaching monsoon. Imbert's journey unfolds like a cinematic meditation on memory and travel, where every street corner and café echoes with the promise of reunion and the bittersweet weight of absence. This intimate documentary captures not just a place and a season but the emotional geography of connection.
Doulaye, une saison des pluies (2000) blends observational storytelling with a reflective tone, immersing viewers in the rhythms of Malian life. The film's 80-minute runtime unfolds with quiet intensity, weaving together personal narrative, local color, and the universal language of friendship. Shot during Mali's dramatic wet season, it transforms the landscape into a backdrop for introspection, where rain becomes both obstacle and companion to Imbert's search.