Who’s Afraid? 1927
Dive into the slapstick chaos of *Who's Afraid? (1927)*, a 20-minute silent comedy that turns a museum into a playground for mischief.
Director: Charles Lamont
Cast
Frequently Asked Questions
What is *Who's Afraid? (1927)* about?
This silent short comedy follows a fugitive named Claude who ducks into a museum to escape a cop—only to find himself locked inside after closing time. With burglars lurking in the shadows, his night of supposed solitude turns into a whirlwind of comedic mishaps and frantic escapes.
Who directed *Who's Afraid? (1927)*?
Charles Lamont directed this 1927 silent comedy, bringing a keen eye for physical humor and pacing to the short film.
Who stars in *Who's Afraid? (1927)*?
The film stars Lupino Lane as the bumbling fugitive and Kathryn McGuire as the unwitting co-star in this silent-era romp.
Is *Who's Afraid? (1927)* worth watching?
While it's a silent short with no IMDb rating, its breezy runtime and classic slapstick appeal make it a charming watch for fans of early comedy. If you love Lupino Lane's agile antics or the golden age of silent films, this one's a quick, fun pick.
How long is *Who's Afraid? (1927)*?
The film runs for 20 minutes, a perfect bite-sized dose of early 20th-century comedy.
About Who's Afraid? (1927) — The Museum Caper That Turned 20 Minutes of Chaos Into Comedy Gold
Dive into the slapstick chaos of *Who's Afraid? (1927)*, a 20-minute silent comedy that turns a museum into a playground for mischief. Directed by Charles Lamont, this zany short follows hapless fugitive Claude, whose attempt to evade a determined cop lands him locked inside a museum after hours. With no witnesses and only burglars for company, Claude's predicament spirals into a farcical tangle of mistaken identities and frantic escapes. The film pulses with the energy of early cinema, blending physical comedy with the charm of 1920s filmmaking.
Starring the agile Lupino Lane and the graceful Kathryn McGuire, *Who's Afraid?* showcases the playful spirit of silent-era comedies, where every shadowy corner and dusty exhibit becomes a prop for laughter. The atmosphere crackles with tension as Claude navigates a surreal, almost ghostly museum, his predicament a metaphor for the absurdity of being caught in the wrong place at the wrong time. A delightful relic of its era, this short film invites viewers to relish the timeless thrill of comedy rooted in chaos and clever timing.