Jealous 2010
In *Jealous* (2010), Quebec filmmaker Patrick Demers crafts a taut psychological thriller that peels back the layers of a crumbling relationship.
Director: Patrick Demers
Cast
Frequently Asked Questions
What is Jealous (2010) about?
*Jealous* follows Thomas and Marianne as they retreat to a remote cottage in a final attempt to save their troubled marriage. Haunted by Marianne's flirtations and Thomas's escalating jealousy, their weekend spirals into a tense standoff when an unexpected neighbor disrupts their solitude. Trapped in close quarters, their fragile connection is tested by secrets and simmering rage.
Who directed Jealous?
Patrick Demers directed *Jealous* (2010), a film that showcases his talent for blending psychological depth with suspenseful storytelling.
Who stars in Jealous?
The film stars Maxime Denommée and Sophie Cadieux in the lead roles, supported by Benoît Gouin, Mark Latrémouille, and Marc Beaupré.
Is Jealous (2010) worth watching?
*Jealous* is a compelling pick for fans of character-driven thrillers who enjoy tense, dialogue-heavy dramas. While it doesn't rely on jump scares, its focus on psychological tension and flawed relationships makes it a rewarding watch—though those seeking fast-paced action may find it slow-burning.
How long is Jealous?
*Jealous* runs for 95 minutes, offering a tight, immersive experience perfect for a single sitting.
About Jealous (2010) — A Psychological Thriller of Love and Obsession
In *Jealous* (2010), Quebec filmmaker Patrick Demers crafts a taut psychological thriller that peels back the layers of a crumbling relationship. Thomas and Marianne arrive at a secluded lakeside cottage, their bond frayed by suspicion and unresolved tension—her flirtations have pushed him to the edge, while his possessiveness chokes their connection. The idyllic setting, meant to mend their fractured love, becomes a pressure cooker as a charming neighbor's unplanned dinner invitation forces them into an uneasy intimacy. With the hosts mysteriously delayed, the couple is left to confront their demons in a space where every glance and whispered word carries weight.
Demers, known for his sharp character studies, amplifies the film's unease with moody cinematography and a script that thrives on quiet menace. The story lingers on the unspoken: the way Marianne's deflections and Thomas's volcanic reactions reveal deeper fractures in their love story. As the weekend unravels, their desperate attempts to salvage something real collide with the simmering toxicity of jealousy—a theme that lingers long after the final scene.