Model 1987
Dive into the enigmatic world of *Model (1987)*, a nine-minute experimental documentary crafted by visionary director Makoto Tezuka. This short film defies convention by weaving together still photos and photocopies to create a mesmerizing visual puzzle.
Director: Makoto Tezuka
Frequently Asked Questions
What is Model (1987) about?
*Model (1987)* is a nine-minute experimental documentary where still images and photocopies collide to create a fluid, shifting portrait. The film uses mirrored duplication to make a woman's face transform rapidly, challenging viewers to decipher what's real and what's illusion in the fleeting visual narrative.
Who directed Model?
Model was directed by Makoto Tezuka, a pioneering figure in experimental Japanese animation and multimedia art.
Who stars in Model?
The cast details for *Model (1987)* are not publicly listed, as the film focuses primarily on visual technique rather than traditional performances.
Is Model (1987) worth watching?
Though brief and unconventional, *Model (1987)* offers a unique visual experience that appeals to fans of experimental filmmaking and avant-garde animation. Its surreal imagery and concise storytelling make it a thought-provoking short worth seeking out for curious viewers.
How long is Model?
The runtime for *Model (1987)* is 9 minutes.
About Model (1987) — A Nine-Minute Experimental Masterpiece of Shifting Faces
Dive into the enigmatic world of *Model (1987)*, a nine-minute experimental documentary crafted by visionary director Makoto Tezuka. This short film defies convention by weaving together still photos and photocopies to create a mesmerizing visual puzzle. The hypnotic interplay of mirrored images transforms a woman's face with rapid, almost surreal shifts, blurring the line between identity and illusion.
Teased through abstract visuals, *Model* explores themes of perception and transformation, inviting viewers to question reality itself. Shot through with a stark, high-contrast aesthetic, the film exudes a retro-futuristic atmosphere that feels both timeless and distinctly late-20th century avant-garde. A cult curiosity from Japanese experimental cinema, it lingers like a half-remembered dream—challenging, cryptic, and undeniably memorable.