Domestic (as long as it lasts) 2002
In *Domestic (as long as it lasts)* (2002), artist-director Douglas Gordon transforms a quiet, minimalist New York apartment into an unsettling stage for a stark experimental film.
Director: Douglas Gordon
Cast
Frequently Asked Questions
What is *Domestic (as long as it lasts)* (2002) about?
This experimental short follows artist Douglas Gordon as he repeatedly kicks a camera around his New York apartment, destabilizing the viewer while exploring themes of agency and destruction. The film's unsettling simplicity turns a domestic space into a battleground of control and surrender.
Who directed *Domestic (as long as it lasts)*?
The film was directed by Douglas Gordon, a Scottish artist known for his interdisciplinary practice blending film, installation, and conceptual art.
Who stars in *Domestic (as long as it lasts)*?
The film features Douglas Gordon as both creator and subject, with his foot and the camera serving as the primary visual elements.
Is *Domestic (as long as it lasts)* (2002) worth watching?
While its 14-minute runtime and experimental nature may not appeal to everyone, *Domestic* offers a compelling study in tension and minimalism for fans of avant-garde cinema. Its stark, unflinching approach leaves a lasting impression, though it prioritizes concept over conventional entertainment value.
How long is *Domestic (as long as it lasts)*?
The film runs for 14 minutes.
About Domestic (as long as it lasts) (2002) — A Provocative 14-Minute Experiment on Chaos and Control
In *Domestic (as long as it lasts)* (2002), artist-director Douglas Gordon transforms a quiet, minimalist New York apartment into an unsettling stage for a stark experimental film. Shot in his own one-bedroom space, the 14-minute documentary captures a relentless sequence of the artist's foot striking a handheld camera, sending it spinning across the room until the footage abruptly cuts to black. The film blurs the line between observer and participant, forcing the camera itself to become both witness and victim of the chaos unfolding before the lens. Shot in black and white, the piece thrives on tension, disorientation, and the fragile boundary between control and surrender, leaving viewers questioning their own role in the unfolding drama.
The 2002 short defies conventional documentary filmmaking by stripping away narrative and context, instead immersing audiences in raw physicality and existential reflection. Gordon's repetitive, almost hypnotic act of destruction challenges perceptions of space, documentation, and the very act of seeing. With its stark visuals and unnerving rhythm, *Domestic* lingers long after the screen fades, a provocative meditation on endurance, vulnerability, and the fleeting nature of stability.