Jonas, só mais um Poster

Jonas, só mais um 2008

13 min📅 2008-07-09

This gripping 13-minute documentary, *Jonas, só mais um* (2008), directed by Jeferson De and presented by actor Caio Blat, delves into the tragic murder of journalist Jonas Eduardo Santos de Souza.

Director: Jeferson De

Cast

Caio Blat
Caio Blat

Frequently Asked Questions

What is Jonas, só mais um (2008) about?

This 13-minute documentary revisits the 2008 murder of journalist Jonas Eduardo Santos de Souza, who was shot outside an Itaú bank branch in São Paulo after being denied entry. The film examines the circumstances of his death and the systemic failures that enabled it, blending investigative journalism with a human-centered narrative.

Who directed Jonas, só mais um?

The documentary *Jonas, só mais um* was directed by Jeferson De, who crafts a raw and immersive portrait of the tragedy.

Who stars in Jonas, só mais um?

The film features actor Caio Blat in a dual role as both presenter and narrator, anchoring the documentary with his involvement and commentary.

Is Jonas, só mais um (2008) worth watching?

While short in runtime, *Jonas, só mais um* packs a powerful punch, offering a sobering look at a dark chapter in Brazilian press history. Its documentary format and urgent themes make it compelling for fans of investigative filmmaking and social commentary, though viewers seeking light entertainment may find it too heavy.

How long is Jonas, só mais um?

The documentary *Jonas, só mais um* runs for 13 minutes.

About Jonas, só mais um (2008) — The documentary exposing a journalist's tragic murder

This gripping 13-minute documentary, *Jonas, só mais um* (2008), directed by Jeferson De and presented by actor Caio Blat, delves into the tragic murder of journalist Jonas Eduardo Santos de Souza. Shot in a stark, unflinching style, the film reconstructs the events leading to the young reporter's execution outside an Itaú bank branch in São Paulo, where institutional negligence and senseless violence collided. The documentary doesn't just recount the facts; it immerses viewers in a haunting exploration of press freedom, systemic failures, and the human cost of unchecked aggression in urban Brazil.

With a tone that balances urgency and empathy, *Jonas, só mais um* transcends a cold recitation of events to become a visceral call for accountability. Blat's involvement as both narrator and participant adds a layer of personal investment, while the film's compact runtime amplifies its impact, leaving audiences with lingering questions about justice and the fragility of truth in modern society.