Ice Ages 2004
In *Ice Ages (2004)*, a lone man takes refuge in a dimly lit pub as a thunderstorm rages outside, nursing a glass of ice that slowly melts into oblivion.
Director: Howie Shia
Frequently Asked Questions
What is Ice Ages (2004) about?
The film follows a man seeking shelter from a storm in a quiet pub, fixating on the ice in his drink as it disappears. Through subtle animation and a chilling soundtrack, director Howie Shia crafts a brief but unsettling exploration of fleeting time and unseen dread.
Who directed Ice Ages?
Howie Shia, an animator celebrated for his intricate pen-and-ink style, brought this atmospheric short to life as part of the NFB's Hothouse program.
Who stars in Ice Ages?
Ice Ages is an animated short, and specific cast details are not listed. The film relies on visual storytelling rather than traditional performances.
Is Ice Ages (2004) worth watching?
Despite its brevity, *Ice Ages* packs a punch with its eerie ambiance and artistic craftsmanship. While it's a niche experience, the film's unique blend of animation and tension makes it worth a watch for fans of moody, experimental shorts.
How long is Ice Ages?
Ice Ages runs for approximately 2 minutes.
About Ice Ages (2004) — A Two-Minute Animation That Haunts Like Melting Ice
In *Ice Ages (2004)*, a lone man takes refuge in a dimly lit pub as a thunderstorm rages outside, nursing a glass of ice that slowly melts into oblivion. Director Howie Shia transforms this quiet moment into a haunting meditation on impermanence, blending intricate pen-and-ink animation with a brooding soundtrack to evoke an undercurrent of dread. The film's minimalist storytelling, born from the NFB's Hothouse apprenticeship, proves that great animation doesn't need grandeur—just a keen eye for the eerie beauty in everyday decay.
Shia's signature style shines through in the film's tactile, hand-drawn aesthetic, where each frame feels like a fragile relic of time slipping away. The result is a fleeting yet unforgettable experience, a snapshot of anxiety distilled into two minutes of visual poetry that lingers long after the credits roll.