Exit 2002
In *Exit (2002)*, Swiss director Benjamin Kempf Siemens crafts a poignant short drama that explores love, sacrifice, and the heart-wrenching choices we make at life's most fragile moments.
Director: Benjamin Kempf Siemens
Cast
Frequently Asked Questions
What is *Exit (2002)* about?
*Exit (2002)* follows Erika, who is terminally ill and seeks a dignified end, alongside her husband Ruedi. As they prepare to depart together, Ruedi's wavering doubts throw their shared plan into turmoil, exposing the emotional and ethical depths of their decision.
Who directed *Exit*?
*Exit* was directed by Benjamin Kempf Siemens, a Swiss filmmaker whose work often explores complex human experiences with emotional precision.
Who stars in *Exit*?
The film stars Stephanie Glaser and Walo Lüönd in the central roles of Erika and Ruedi.
Is *Exit (2002)* worth watching?
While unrated on IMDb, *Exit (2002)* offers a profound and thought-provoking experience for fans of character-driven dramas. Its bold themes and strong performances make it a compelling watch for those interested in films that challenge societal norms.
How long is *Exit*?
The runtime for *Exit (2002)* is 10 minutes.
Exit (2002): A Tender, Haunting Drama About Love and Final Choices — Full Movie Info
In *Exit (2002)*, Swiss director Benjamin Kempf Siemens crafts a poignant short drama that explores love, sacrifice, and the heart-wrenching choices we make at life's most fragile moments. The film follows Erika, a woman facing terminal illness who longs to end her suffering with dignity, and her devoted husband Ruedi, whose own resolve crumbles just as a plan for their joint departure seems certain. Balancing raw emotion with moments of dark humor, the movie delves into the ethical and personal weight of assisted suicide, framed within a deeply human tragedy. Shot in just 10 minutes, it distills complex themes into a razor-sharp narrative that lingers long after the credits roll.
Stephanie Glaser and Walo Lüönd deliver powerhouse performances, grounding the film's philosophical questions in intimate, relatable performances. The stark, unflinching tone challenges viewers to confront their own beliefs while immersing them in a story that's as much about companionship as it is about loss. A bold and unforgettable contemplation of mortality, *Exit (2002)* invites reflection on how far we'd go to spare someone we love from pain.