
Sounds Good to Me: Remastering 'The Sting' 2004
In this quirky 2004 comedy short, sound designer Nicholas Jasenovec takes on the audacious task of re-dubbing the classic 'The Sting' for its 30th anniversary.
Director: Nicholas Jasenovec
Cast

Frequently Asked Questions
What is Sounds Good to Me: Remastering 'The Sting' (2004) about?
This short film follows a determined sound designer who decides to re-dub the iconic 'The Sting' with entirely new dialogue, aiming to give the classic a comedic twist. The project spirals into a hilarious experiment in low-budget filmmaking and creative audacity.
Who directed Sounds Good to Me: Remastering 'The Sting'?
Nicholas Jasenovec directed this comedic short, showcasing his knack for blending homage with offbeat humor.
Who stars in Sounds Good to Me: Remastering 'The Sting'?
The film features comedic talents Bill Hader and Matt Offerman, who lend their voices to this playful reimagining of 'The Sting'.
Is Sounds Good to Me: Remastering 'The Sting' (2004) worth watching?
While this seven-minute comedy short isn't a blockbuster, it's a clever and entertaining experiment for fans of classic films and offbeat humor. Its brevity and absurd premise make it a fun curiosity rather than a must-see.
How long is Sounds Good to Me: Remastering 'The Sting'?
The short film runs for 7 minutes.
Sounds Good to Me: Remastering 'The Sting' (2004) — A Comedy Short That Gives 'The Sting' a Fresh, Funny Voice
In this quirky 2004 comedy short, sound designer Nicholas Jasenovec takes on the audacious task of re-dubbing the classic 'The Sting' for its 30th anniversary. With a shoestring budget and a mischievous sense of humor, he crafts an entirely new audio experience for the Paul Newman-Robert Redford con-artistry classic.
Dive into the chaotic world of low-budget filmmaking and creative reinvention as two unlikely voices—those of Bill Hader and Matt Offerman—bring fresh energy to this beloved 1973 gem. The result is a playful homage that pokes fun at the original while celebrating its enduring charm, wrapped in a nostalgic yet irreverent package.