The Lobby 2020
"“There is no Here here.”"
Heinz Emigholz's *The Lobby (2020)* immerses audiences in a provocative monologue delivered by John Erdman, who portrays an 'Old White Male' holding forth in the lobbies of Buenos Aires apartment buildings.
Director: Heinz Emigholz
Cast
Frequently Asked Questions
What is The Lobby (2020) about?
*The Lobby (2020)* follows an unnamed older man who delivers a searing, stream-of-consciousness critique of contemporary society while lurking in Buenos Aires apartment lobbies. His rant, filmed in late 2019, blends philosophical musings with biting social commentary, oscillating between chilling insight and baffling absurdity.
Who directed The Lobby?
Heinz Emigholz, an acclaimed German filmmaker known for his experimental documentaries and minimalist visual style, directed *The Lobby (2020)*.
Who stars in The Lobby?
The film stars John Erdman in the central role of the Old White Male, whose monologue forms the core of the narrative.
Is The Lobby (2020) worth watching?
While niche and divisive, *The Lobby (2020)* offers a uniquely bleak yet fascinating perspective on modern alienation. Fans of provocative, dialogue-driven cinema will find its relentless monologue both challenging and intriguing, even if it's unlikely to appeal to casual viewers.
How long is The Lobby?
The runtime of *The Lobby (2020)* is 76 minutes.
About The Lobstery (2020) — A Provocative Monologue on Death and Modern Life
Heinz Emigholz's *The Lobby (2020)* immerses audiences in a provocative monologue delivered by John Erdman, who portrays an 'Old White Male' holding forth in the lobbies of Buenos Aires apartment buildings. Shot in October 2019, this hybrid drama-documentary weaves together unsparing reflections on death, human consciousness, and the fractured state of modern relations. Erdman's measured yet unsettling commentary oscillates between absurdity and profundity, crafting a portrait that feels both eerily prescient and darkly absurd—a sardonic dissection of contemporary society disguised as a casual conversation.
The film's stark visuals and minimalist approach amplify the unease, transforming mundane settings into stages for philosophical confrontation. Emigholz, known for his unorthodox filmmaking, strips away distraction to focus on the raw tension of Erdman's delivery, where every word feels deliberate yet unnervingly unpredictable. *The Lobby (2020)* isn't just a film; it's an experience that lingers, challenging viewers to confront uncomfortable truths about identity, privilege, and the decay of human connection.