
House/Lights 2009
Elizabeth LeCompte's *House/Lights* (2009) is a bold, avant-garde fusion of Gertrude Stein's surrealist opera *Doctor Faustus Lights the Lights* and Joseph Mawra's cult B-movie *Olga's House of Shame*.
Director: Elizabeth LeCompte
Cast


Frequently Asked Questions
What is House/Lights (2009) about?
*House/Lights* weaves together Gertrude Stein's absurdist opera and a cult B-movie into a surreal, 77-minute journey. The film juxtaposes poetic language with gritty visuals, creating a dreamlike yet chaotic narrative that defies traditional storytelling.
Who directed House/Lights?
The film was directed by Elizabeth LeCompte, a visionary known for her experimental work and her OBIE Award-winning contributions to avant-garde theater.
Who stars in House/Lights?
The film features a powerhouse cast including Kate Valk, Suzzy Roche, Roy Faudree, Ari Fliakos, and Tanya Selvaratnam, each bringing depth to this unconventional narrative.
Is House/Lights (2009) worth watching?
While not a mainstream pick, *House/Lights* offers a unique viewing experience for fans of avant-garde cinema. Its bold fusion of genres and LeCompte's direction make it a cult-worthy exploration of artistic boundaries.
How long is House/Lights?
The runtime of *House/Lights* is 77 minutes, offering a concise yet impactful cinematic experience.
About House/Lights (2009) — Avante-Garde Meets B-Movie in a Cinematic Collision
Elizabeth LeCompte's *House/Lights* (2009) is a bold, avant-garde fusion of Gertrude Stein's surrealist opera *Doctor Faustus Lights the Lights* and Joseph Mawra's cult B-movie *Olga's House of Shame*. Clocking in at just 77 minutes, this experimental film blends poetic dialogue with gritty visuals, creating a hypnotic collision of high art and lowbrow storytelling. With Kate Valk at the forefront of the ensemble cast, LeCompte crafts an atmosphere that oscillates between dreamlike abstraction and raw, unfiltered energy. The result is a cinematic experience that challenges conventions, inviting viewers into a world where classic literature meets underground cinema.
The film's unconventional approach mirrors its thematic core—exploring ambition, desire, and the blurred lines between fantasy and reality. LeCompte's direction, marked by her OBIE-winning vision, ensures that *House/Lights* is more than just a cinematic experiment; it's a testament to the power of artistic collision. Whether you're drawn to its literary roots or its rebellious spirit, this 2009 gem offers a viewing experience that lingers long after the credits roll.