Problem's You 2001
Shot in the raw, poetic immediacy of 1970s avant-garde, *Problem's You* (2001) is Stom Sogo's defiant first film after leaving art school—a hypnotic 27-minute reverie spun from nine unedited rolls of Super-8.
Director: Stom Sogo
Frequently Asked Questions
What is Problem's You (2001) about?
A cinematic diary of New York City captured on nine unedited rolls of Super-8 film, each shot in a single take. The film eschews narrative in favor of spontaneous visual poetry, turning streets, rooms, and beaches into fleeting, meditative snapshots.
Who directed Problem's You?
Stom Sogo directed *Problem's You*. The film emerged just after he left art school, marking a bold, experimental debut aligned with avant-garde traditions.
Who stars in Problem's You?
Cast information for *Problem's You* (2001) is not publicly listed.
Is Problem's You (2001) worth watching?
With its 27-minute runtime and experimental roots, *Problem's You* appeals most to fans of Jonas Mekas and John Cage's philosophies. Though unrated, its raw intimacy and poetic pacing offer a unique slice of New York's late-20th-century energy—if you're open to wandering cinema.
How long is Problem's You?
The runtime of *Problem's You* is 27 minutes.
About Problem's You (2001) — A raw Super-8 diary of New York's unfiltered soul
Shot in the raw, poetic immediacy of 1970s avant-garde, *Problem's You* (2001) is Stom Sogo's defiant first film after leaving art school—a hypnotic 27-minute reverie spun from nine unedited rolls of Super-8. Each take is a single, unbroken gaze: New York City's streets, dim interiors, and sun-drenched beaches pulse with fragile beauty and unscripted wonder. By rejecting cuts and montage, Sogo embraces chance, silence, and the accidental, echoing the radical spirit of Jonas Mekas and John Cage. The result is less a narrative than a fleeting sensory diary, where every flicker of light and passing stranger feels like a found poem.
In *Problem's You* (2001), spontaneity isn't just a style—it's the entire point. Sogo's camera roams freely, turning mundane moments into visual incantations and urban landscapes into dreamlike canvases. The absence of editing strips away artifice, inviting viewers to experience the city through the artist's unfiltered eyes. It's an intimate act of rebellion: a student's manifesto filmed in a language of pure presence, where life and art blur into one restless, radiant whole.