Five Year Diary, Reel 6: The Lights of the Bardo (January 30–February 26, 1982) 1982
Anne Charlotte Robertson's deeply personal experimental diary film, *Five Year Diary, Reel 6: The Lights of the Bardo (January 30–February 26, 1982)* (1982), captures a month in her life with raw intimacy and poetic reflection.
Director: Anne Charlotte Robertson
Frequently Asked Questions
What is *Five Year Diary, Reel 6: The Lights of the Bardo (January 30–February 26, 1982)* (1982) about?
This experimental short film documents a single month in Anne Charlotte Robertson's life, blending everyday moments with introspective reflections. Drawing loosely from Buddhist concepts of transition, the film explores themes of change, solitude, and the passage of time through intimate, often poetic visuals.
Who directed *Five Year Diary, Reel 6: The Lights of the Bardo (January 30–February 26, 1982)*?
Anne Charlotte Robertson directed this installment of her *Five Year Diary* series, continuing her pioneering work in feminist and experimental filmmaking.
Who stars in *Five Year Diary, Reel 6: The Lights of the Bardo (January 30–February 26, 1982)*?
Director Anne Charlotte Robertson is the sole credited figure on screen, though the film features herself and her surroundings as the primary subject.
Is *Five Year Diary, Reel 6: The Lights of the Bardo (January 30–February 26, 1982)* (1982) worth watching?
While not a film for those seeking traditional narrative, its 25-minute runtime and unique perspective make it a fascinating watch for fans of avant-garde cinema. Robertson's raw, immersive style offers a rare glimpse into personal filmmaking at its most vulnerable.
How long is *Five Year Diary, Reel 6: The Lights of the Bardo (January 30–February 26, 1982)*?
The runtime is 25 minutes.
About Five Year Diary, Reel 6: The Lights of the Bardo (1982) — Anne Robertson's Experimental Masterpiece
Anne Charlotte Robertson's deeply personal experimental diary film, *Five Year Diary, Reel 6: The Lights of the Bardo (January 30–February 26, 1982)* (1982), captures a month in her life with raw intimacy and poetic reflection. Shot over 28 days, this 25-minute short film blends mundane moments with profound introspection, creating a hypnotic meditation on time, memory, and self-discovery. Robertson's lens lingers on quiet domestic scenes, fleeting emotions, and the subtle interplay of light and shadow, evoking a dreamlike atmosphere where the ordinary feels extraordinary. The film's title nods to the Tibetan Buddhist concept of the Bardo—a transitional state between life and death—infusing the narrative with themes of impermanence and spiritual awakening. Viewers are invited into Robertson's world, where every glance and gesture becomes a clue to the inner turbulence of her journey.
A landmark in feminist experimental cinema, this installment of the *Five Year Diary* series is a testament to the power of personal filmmaking. Robertson's unflinching honesty and innovative storytelling challenge conventional narrative structures, offering instead a visceral, immersive experience. The film's stripped-down aesthetic and emotional rawness make it a compelling watch for fans of avant-garde cinema, despite its brevity. While it may lack traditional plot progression, the real magic lies in its ability to mirror the fragmented nature of human consciousness and the quiet beauty of life's small, overlooked moments.