Five Year Diary, Reel 11: Data Entry (April 19–30, 1982) 1982
Delve into the intimate world of experimental cinema with *Five Year Diary, Reel 11: Data Entry (April 19–30, 1982)* (1982), a 25-minute slice-of-life film crafted by pioneering artist Anne Charlotte Robertson.
Director: Anne Charlotte Robertson
Frequently Asked Questions
What is *Five Year Diary, Reel 11: Data Entry (April 19–30, 1982)* (1982) about?
This short film documents a brief but meaningful period in Anne Charlotte Robertson's life, blending her personal reflections with the unassuming details of daily routines. It's a snapshot of introspection, where the act of data entry becomes a metaphor for the careful, deliberate process of self-examination.
Who directed *Five Year Diary, Reel 11: Data Entry (April 19–30, 1982)?*
Anne Charlotte Robertson directed this installment of her *Five Year Diary* series. Known for her experimental and deeply personal approach to filmmaking, Robertson's work is celebrated for its emotional honesty.
Who stars in *Five Year Diary, Reel 11: Data Entry (April 19–30, 1982)?*
The film features Anne Charlotte Robertson as the central figure, with no other credited cast members listed.
Is *Five Year Diary, Reel 11: Data Entry (April 19–30, 1982)* (1982) worth watching?
For fans of avant-garde cinema and personal documentary-style films, this 25-minute piece offers a compelling glimpse into Robertson's artistic journey. While not a mainstream experience, its meditative quality and historical significance make it a rewarding watch for those seeking something different.
How long is *Five Year Diary, Reel 11: Data Entry (April 19–30, 1982)?*
The runtime of this film is 25 minutes.
About Five Year Diary, Reel 11: Data Entry (April 19–30, 1982) (1982) — Anne Charlotte Robertson's poetic diary film
Delve into the intimate world of experimental cinema with *Five Year Diary, Reel 11: Data Entry (April 19–30, 1982)* (1982), a 25-minute slice-of-life film crafted by pioneering artist Anne Charlotte Robertson. This installment captures the mundane yet deeply personal rhythms of daily existence, blending raw authenticity with a meditative pace that invites viewers to reflect on the passage of time. Set against the backdrop of early 1980s America, Robertson's work explores themes of self-discovery and the quiet resilience of the human spirit, all through her signature diaristic approach.
While the full cast remains unlisted, Robertson herself stands as the beating heart of this project—a testament to her groundbreaking contributions to avant-garde filmmaking. The film's atmosphere is one of quiet introspection, a visual diary where every frame feels like a whispered secret. Though its genre defies conventional labels, it belongs to the realm of personal cinema, where the ordinary becomes extraordinary through the lens of raw, unfiltered observation.