Algonquin Park, Early March 2002

Overview

The sublime, seductive landscape in Algonquin Park, Early March 2002 takes shape through a slow zooming out of the camera, starting with a monochromatic white screen (in fact a pure projection of light) and only revealing the full picture at the end. Location, subject, and especially the viewer’s position (a cliff high above a lake), evoke the effects of C. D. Friedrich’s Romantic painting Wanderer above the Sea of Fog, 1818. The sequence of revelations moves from the pure abstraction of the fil