De regreso (El país dormido) 1991
Director Gustavo Postiglione's *De regreso (El país dormido)* (1991) blends sharp comedy with poignant drama, painting a vivid portrait of a nation—and its people—trapped in the inertia of political and social stagnation.
Director: Gustavo Postiglione
Cast
Frequently Asked Questions
What is *De regreso (El país dormido)* (1991) about?
The film explores the lives of two friends in early-90s Argentina, where personal battles mirror the nation's struggles with political and social stagnation. Through sharp humor and raw drama, it captures the tension between hope and disillusionment in a country waking up—or still half-asleep.
Who directed *De regreso (El país dormido)*?
Gustavo Postiglione helmed this 1991 blend of comedy and drama, infusing the story with both satire and emotional depth.
Who stars in *De regreso (El país dormido)*?
The cast features Héctor Molina and Miguel Franchi as the central duo, alongside Lía Gianelloni and Sebastián Petracca in key roles, with Teresa Barceló and Norman Briski adding to the ensemble.
Is *De regreso (El país dormido)* (1991) worth watching?
While not rated on IMDb, this underrated gem offers a sharp, humorous take on Argentina's post-dictatorship era, with strong performances and themes that resonate beyond its 1991 setting. Fans of character-driven dramas with bite will find it compelling.
How long is *De regreso (El país dormido)*?
Runtime details are not listed.
About De regreso (El país dormido) (1991) — Comedy and Drama in Post-Dictatorship Argentina
Director Gustavo Postiglione's *De regreso (El país dormido)* (1991) blends sharp comedy with poignant drama, painting a vivid portrait of a nation—and its people—trapped in the inertia of political and social stagnation. Set against the backdrop of early 90s Argentina, the film follows a group of restless characters whose personal struggles mirror the country's collective fatigue. With Héctor Molina and Miguel Franchi leading the cast as two friends navigating life's absurdities and disappointments, the movie balances biting satire with deeply human moments. Gianelloni and Petracca round out the ensemble as vividly drawn figures, each representing different facets of a society wrestling with change.
The atmosphere is one of restless energy, where laughter often masks deeper frustrations, and hope flickers just beneath the surface. Postiglione crafts a story that feels both timeless and urgently relevant, using humor as a lens to examine themes of alienation, resilience, and the quiet rebellion of ordinary lives. It's a film that lingers not just for its wit, but for its unflinching gaze at the dreams and disillusions of a generation.