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The Resistance 1968

17 min📅 1968-01-01

Leonard M. Henny's *The Resistance (1968)* is a short but provocative documentary-style film that captures the pulse of a nation grappling with change. Traveling across the U.S.

Director: Leonard M. Henny

Frequently Asked Questions

What is *The Resistance (1968)* about?

This 1968 film documents a grassroots movement traveling the U.S. to advocate for nonviolent resistance against the draft and war. It's a call to rethink society, human connections, and the purpose of life beyond conventional norms.

Who directed *The Resistance*?

The film was directed by Leonard M. Henny, a filmmaker whose work often explored social and political themes.

Who stars in *The Resistance*?

Cast information for *The Resistance (1968)* is not publicly listed.

Is *The Resistance (1968)* worth watching?

While short and unrated, *The Resistance (1968)* offers a fascinating glimpse into 1960s activism and its ideals. Its historical importance and thought-provoking themes make it worth seeking out for fans of documentary filmmaking or social history.

How long is *The Resistance*?

*The Resistance (1968)* has a runtime of 17 minutes.

About The Resistance (1968): A 17-Minute Journey Through Activism and Ideals

Leonard M. Henny's *The Resistance (1968)* is a short but provocative documentary-style film that captures the pulse of a nation grappling with change. Traveling across the U.S. in a mobile projection truck, the movie documents activists who dared to challenge the status quo, particularly the draft during a turbulent era. More than a protest against war, it becomes a manifesto for reimagining society itself—advocating for nonviolent resistance, deeper human connections, and a reevaluation of what truly matters in life. The film's atmosphere is one of urgency and idealism, blending raw footage with a hopeful vision for a better world.

At its heart, *The Resistance (1968)* is about the search for meaning in chaotic times. It doesn't just criticize war or injustice; it invites viewers to envision alternatives, making it as much a philosophical exploration as a political statement. The mobile screen and sound installation serve as tools for spreading ideas, turning the film into a rolling movement that mirrors the activism it documents.