Mŕtvola musí zomrieť 2011
"Humour, a bit of eroticism and a corpse."
Jozef Paštéka's darkly comic take on office politics and personal hypocrisy unfolds in *Mŕtvola musí zomrieť (2011)*, a Slovak black comedy that peels back the veneer of propriety in the lives of two university employees.
Director: Jozef Paštéka
Cast
Frequently Asked Questions
What is Mŕtvola musí zomrieť (2011) about?
This dark comedy follows two university employees whose personal ambitions and hypocrisy spiral into absurdity when their lives intersect with opportunism, poetic ideals, and a corpse. The film explores the gap between public personas and private instincts, all wrapped in sharp humour and a touch of eroticism.
Who directed Mŕtvola musí zomrieť?
Mŕtvola musí zomrieť was directed by Jozef Paštéka, a filmmaker known for blending sharp social satire with unconventional storytelling.
Who stars in Mŕtvola musí zomrieť?
The film stars Miroslav Noga as Alexander Pažicky and Veronika Žilková as his sister, with Peter Marcin playing Kristof Mitrovsky, alongside Ľubomír Paulovič and Michaela Drotárová.
Is Mŕtvola musí zomrieť (2011) worth watching?
While it doesn't boast an IMDb rating to rely on, *Mŕtvola musí zomrieť* offers a bold, irreverent take on workplace dynamics and personal hypocrisy. Fans of dark comedies with a sharp edge and a dash of eroticism will likely find it a refreshing and entertaining watch.
How long is Mŕtvola musí zomrieť?
Runtime details are not listed.
About Mŕtvola musí zomrieť (2011) — A dark comedy where ambition and desire collide
Jozef Paštéka's darkly comic take on office politics and personal hypocrisy unfolds in *Mŕtvola musí zomrieť (2011)*, a Slovak black comedy that peels back the veneer of propriety in the lives of two university employees. At its center is Alexander Pažicky, a self-serving boss whose opportunism clashes with his brother-in-law Kristof Mitrovsky's lofty poetic ideals. What starts as a battle of intellect and ambition soon spirals into a farce where natural instincts—especially in matters of desire—threaten to derail both careers and relationships. With razor-sharp satire, the film blends humour with a dash of eroticism, all while keeping its characters and audience delightfully off-balance.
As the plot thickens, the duo's personal and professional lives collide in ways that are as absurd as they are revealing. Paštéka crafts a world where ideals are fragile, morals are negotiable, and a corpse might just be the least of anyone's problems. The result is a comedy that's bold, irreverent, and impossible to look away from, offering a unique blend of cynicism and charm that lingers long after the credits roll.