linings 1990
Ann Hamilton's experimental short *Linings* (1990) immerses viewers in a surreal visual study of an overflowing mouth, transforming an everyday act into something mesmerizing and unsettling.
Director: Ann Hamilton
Frequently Asked Questions
What is linings (1990) about?
*Linings* (1990) is a 30-minute experimental short directed by Ann Hamilton that captures an overflowing mouth in stark, close-up detail. The film transforms a mundane act into a surreal exploration of excess and bodily presence, blurring the line between documentary and artistic abstraction.
Who directed linings?
Ann Hamilton directed *Linings* (1990). Known for her interdisciplinary approach blending art and film, Hamilton's work often focuses on the human body and sensory experience.
Who stars in linings?
Cast details for *Linings* (1990) are not publicly listed. The film is primarily a visual study with no credited performers.
Is linings (1990) worth watching?
Given its experimental nature and 30-minute runtime, *Linings* (1990) will appeal most to fans of avant-garde cinema and art films. While it's not a mainstream experience, Hamilton's bold visual style offers a unique and thought-provoking viewing experience for niche audiences.
How long is linings?
*Linings* (1990) has a runtime of 30 minutes.
About Linings (1990) — Ann Hamilton's Haunting Visual Study of the Human Mouth
Ann Hamilton's experimental short *Linings* (1990) immerses viewers in a surreal visual study of an overflowing mouth, transforming an everyday act into something mesmerizing and unsettling. Shot in stark, intimate detail, the film explores themes of excess, consumption, and the body's intimate relationship with space and sound. Hamilton's avant-garde approach blurs the line between documentary and abstraction, creating an atmosphere that is both clinical and deeply personal. The 30-minute runtime compresses a dense, sensory experience, leaving audiences to question the boundaries between art and observation.
As part of Hamilton's early works, *Linings* reflects her fascination with the human form and the overlooked moments that carry emotional weight. The film's minimalist sound design and unflinching close-ups invite viewers to reconsider the mundane, turning a simple act into a haunting meditation on presence and absence. Whether framed as experimental cinema or conceptual art, it remains a striking example of 1990s avant-garde filmmaking.