
Greece to Jupiter: It's a Matter of Energy 1982
Overview
"That's the most formal piece I ever did. It's very reductionist because I was interested in dealing with the computer and the digital imaging process on its own terms. The only analog image is a voltage-controlled moving square created with the Rutt/Etra synthesizer. I used that image pattern through which to key and genlock other computer-created textures and square shapes. I was using a program called "Clear Center" where the pixel is routed from the center of the raster all the way around th
Director: Barbara Buckner