Jesus 1979
Michel Auder's *Jesus (1979)* is a gritty, experimental documentary that dives into the underground art scene of New York City, blending raw interviews and surreal performances.
Director: Michel Auder
Cast
Frequently Asked Questions
What is Jesus (1979) about?
Michel Auder's *Jesus (1979)* explores the intersection of art, faith, and rebellion through the eyes of New York's underground scene. The film mixes performances, interviews, and archival footage to capture the spiritual and creative energy of artists like Taylor Mead and Florence Lambert, who reimagine religious icons in unconventional ways.
Who directed Jesus?
Michel Auder directed *Jesus (1979)*, bringing his signature experimental style to this exploration of art and spirituality.
Who stars in Jesus?
The film features Taylor Mead, Florence Lambert, Diego Cortez, Jackie Curtis, and Gerard Malanga—key figures in NYC's underground art and Warhol's inner circle.
Is Jesus (1979) worth watching?
If you're into experimental documentaries or curious about the NYC art scene of the '70s, *Jesus (1979)* is a compelling watch. Its unique blend of spirituality, performance, and raw interviews offers a fascinating snapshot of a creative era. While not mainstream, it's a standout for niche audiences.
How long is Jesus?
*Jesus (1979)* runs for 59 minutes, making it a quick but impactful dive into its unconventional themes.
About Jesus (1979) — Underground NYC Art and Spirituality in a Provocative Documentary
Michel Auder's *Jesus (1979)* is a gritty, experimental documentary that dives into the underground art scene of New York City, blending raw interviews and surreal performances. The film captures the spiritual and cultural zeitgeist of the late '70s through the lens of Warhol's inner circle, featuring candid conversations with figures like Taylor Mead as a West Village priest and Florence Lambert's striking portrayal of a crucified Jesus. Archival footage of evangelical broadcasts and pop-culture religious imagery collides with avant-garde artistry, creating an atmosphere that's both provocative and reflective.
Auder's unconventional approach turns *Jesus (1979)* into a time capsule of NYC's creative rebellion, where faith, art, and identity intertwine. The documentary's offbeat charm lies in its unfiltered portrayal of these artists' beliefs and obsessions, making it a fascinating watch for fans of experimental cinema and counterculture history.