Five Year Diary, Reel 74: Christmas ’90, Iraq, and Getting Religion (December 2, 1990–May 7, 1991) 1991
Anne Charlotte Robertson's intimate and introspective *Five Year Diary, Reel 74: Christmas '90, Iraq, and Getting Religion (December 2, 1990–May 7, 1991)* (1991) captures a deeply personal chapter in her groundbreaking autobiographical series.
Director: Anne Charlotte Robertson
Frequently Asked Questions
What is *Five Year Diary, Reel 74: Christmas '90, Iraq, and Getting Religion* (1991) about?
This installment of Anne Charlotte Robertson's *Five Year Diary* series captures her personal reflections during the Gulf War, blending holiday memories with the anxiety of global conflict and her evolving relationship with religion.
Who directed *Five Year Diary, Reel 74: Christmas '90, Iraq, and Getting Religion* (December 2, 1990–May 7, 1991)?
Director information is not available.
Who stars in *Five Year Diary, Reel 74: Christmas '90, Iraq, and Getting Religion* (December 2, 1990–May 7, 1991)?
The film features Anne Charlotte Robertson as the sole focus, with no other credited cast members.
Is *Five Year Diary, Reel 74: Christmas '90, Iraq, and Getting Religion* (1991) worth watching?
For fans of avant-garde, autobiographical cinema or Robertson's experimental style, this 25-minute installment offers a fascinating snapshot of early 1990s anxiety and introspection. While not mainstream, its raw honesty makes it compelling for niche audiences.
How long is *Five Year Diary, Reel 74: Christmas '90, Iraq, and Getting Religion* (December 2, 1990–May 7, 1991)?
The runtime is 25 minutes.
About Five Year Diary, Reel 74: Christmas '90, Iraq, and Getting Religion (1991) — A candid 1991 diary entry on war, faith, and self-discovery
Anne Charlotte Robertson's intimate and introspective *Five Year Diary, Reel 74: Christmas '90, Iraq, and Getting Religion (December 2, 1990–May 7, 1991)* (1991) captures a deeply personal chapter in her groundbreaking autobiographical series. This 25-minute installment finds Robertson grappling with the turbulence of the Gulf War era, blending personal reflection with the weight of global events. The film oscillates between quiet, domestic moments—like holiday gatherings—and stark confrontations with war and spiritual crisis, creating a raw, confessional atmosphere. Her unflinching honesty and stark visual style draw viewers into a raw, unfiltered exploration of fear, faith, and resilience during a pivotal moment in history.
Robertson's diaristic approach strips away artifice, leaving only the rawness of her thoughts and the stark reality of 1991's geopolitical tensions. The film isn't just a historical artifact; it's a time capsule of anxiety, introspection, and the search for meaning. Shot over five years, this installment stands out for its uncompromising focus on the intersection of the personal and the political, making it essential viewing for fans of avant-garde cinema and documentary filmmaking alike.