New York City Diary ’74 1974

Overview

"Guttenplan uses the term 'diary' in a way that is unique to him. In fact, the term can be confusing. There is no doubt that this film is not a diary like those made by Jonas Mekas. It contains little, if any, imagery with an emotional or autobiographical message. Its interest lies in the static objects that tell us nothing about the life of the filmmaker. The NEW YORK CITY DIARY '74 is filled with color and texture, mostly abstract. (...) Guttenplan dislocates the viewer's vision by a perpetual