We Still Kill the Old Way 1967
"Sicily is a small island. Some people live there. Some people love there. Some people die there."
Directed by the sharp-eyed Elio Petri in 1967, *We Still Kill the Old Way* plunges into the shadowy underbelly of Sicilian society where secrets fester like wounds.
Director: Elio Petri
Cast
Gian Maria Volonté
Professore Paolo Laurana
Irene Papas
Luisa Roscio
Gabriele Ferzetti
Avvocato Rosello
Laura Nucci
Roscio's Mutter
Mario Scaccia
curato di Sant'Amo
Luigi Pistilli
Arturo Manno
Leopoldo Trieste
deputato comunista
Salvo Randone
Professore Roscio
Giovanni Pallavicino
Raganà
Tanina Zappalà
Frequently Asked Questions
What is *We Still Kill the Old Way* (1967) about?
The film follows a leftist professor who investigates the suspicious deaths of two men during a hunting party, uncovering a tangled conspiracy involving the Mafia, the Church, and local politicians. His quest for truth pits him against forces determined to bury the evidence.
Who directed *We Still Kill the Old Way*?
Elio Petri directed this 1967 crime-drama, known for his sharp critiques of power and corruption in Italian society.
Who stars in *We Still Kill the Old Way*?
The film features Gian Maria Volonté as the determined professor, alongside Irene Papas, Gabriele Ferzetti, and Laura Nucci in pivotal roles.
Is *We Still Kill the Old Way* (1967) worth watching?
With its intense performances and morally charged narrative, *We Still Kill the Old Way* offers a gripping dive into Sicilian crime drama. While IMDb ratings are unlisted, its themes and Petri's direction make it a compelling watch for fans of political thrillers.
How long is *We Still Kill the Old Way*?
The film runs for 99 minutes.
🎥 Trailer
About We Still Kill the Old Way (1967) — A Gripping Sicilian Mystery of Power and Corruption
Directed by the sharp-eyed Elio Petri in 1967, *We Still Kill the Old Way* plunges into the shadowy underbelly of Sicilian society where secrets fester like wounds. Gian Maria Volonté stars as a determined leftist professor who stumbles upon a hunting party turned murder scene—a disturbance that unravels a web of collusion between the Mafia, the Church, and corrupt politicians. The film's brooding atmosphere and moral tension unfold against a backdrop of rustic Sicily, where silence is a currency and truth is a dangerous liability. Petri crafts a gripping drama that blends political intrigue with personal vendettas, weaving a narrative that feels both timeless and urgently relevant.
Gian Maria Volonté's intense portrayal anchors the story, supported by the magnetic Irene Papas and the seasoned Gabriele Ferzetti, as the professor navigates a labyrinth of deceit. The film's themes—power, corruption, and the cost of justice—pulse through every frame, making it a standout in the mystery-drama genre. With its stark visuals and unflinching gaze at societal rot, *We Still Kill the Old Way (1967)* remains a compelling exploration of how far institutions will go to protect their grip on the old ways of doing things.
