Get Used to It 1992
Edgar A. Barens' *Get Used to It* (1992) is a provocative and ahead-of-its-time short film comprising four public service announcements that boldly tackle the issue of public displays of queerness.
Director: Edgar A. Barens
Frequently Asked Questions
What is Get Used to It (1992) about?
*Get Used to It* is a unique short film made up of four public service announcements that spotlight public expressions of queerness. Each segment serves as a bold statement on visibility, pushing back against the stigma of being openly LGBTQ+ in shared spaces. It's a compact but unforgettable exploration of acceptance and defiance.
Who directed Get Used to It?
The film was directed by Edgar A. Barens, a filmmaker known for pushing boundaries with his socially conscious work.
Who stars in Get Used to It?
Cast details for *Get Used to It* (1992) are not publicly listed, leaving the focus entirely on the film's message rather than individual performances.
Is Get Used to It (1992) worth watching?
While *Get Used to It* is more of an experimental short than a conventional narrative film, its audacious approach to queer visibility makes it a fascinating watch. Its one-minute runtime is either a dealbreaker or a selling point, depending on how much you value substance over style. It's not for everyone, but it's undeniably thought-provoking.
How long is Get Used to It?
The film runs for exactly one minute, making it one of the shortest narrative films ever made.
About Get Used to It (1992) — A Groundbreaking Minute of Queer Visibility
Edgar A. Barens' *Get Used to It* (1992) is a provocative and ahead-of-its-time short film comprising four public service announcements that boldly tackle the issue of public displays of queerness. Clocking in at just one minute, this experimental piece uses stark imagery and unfiltered honesty to challenge societal norms around visibility and acceptance. With a running time that feels intentional rather than rushed, it delivers a sharp, concise message that lingers long after the credits roll.
Though modest in scale, *Get Used to It* (1992) stands out as a raw, unfiltered snapshot of queer expression in the early '90s. The film's minimalist approach amplifies its impact, stripping away distractions to focus on the core theme: the right to exist openly in public spaces. Its brevity doesn't dilute its power—instead, it forces viewers to confront the urgency of its message in a way longer films often can't.