Drawing the Line 1992
Step into the provocative world of *Drawing the Line (1992)*, a groundbreaking short documentary directed by Lorna Boschman.
Director: Lorna Boschman
Frequently Asked Questions
What is Drawing the Line (1992) about?
Drawing the Line (1992) documents a provocative photo exhibition by the lesbian artist collective Kiss & Tell. Viewers were invited to leave comments on walls surrounding images of female sexuality, creating a raw dialogue about erotica, censorship, and queer representation. The film captures both the artwork and the visceral reactions it provoked.
Who directed Drawing the Line?
Drawing the Line (1992) was directed by Lorna Boschman, a filmmaker known for her work at the intersection of queer art and activism.
Who stars in Drawing the Line?
The film features Persimmon Blackbridge, Lizard Jones, and Susan Stewart, the core members of the Kiss & Tell collective who curated the original exhibition.
Is Drawing the Line (1992) worth watching?
While *Drawing the Line (1992)* is a niche experimental documentary, its historical significance and unapologetic exploration of queer sexuality make it a fascinating watch for fans of feminist and LGBTQ+ cinema. Its brevity and rawness compensate for its limited mainstream appeal.
How long is Drawing the Line?
Drawing the Line (1992) has a runtime of 7 minutes.
Drawing the Line (1992): Exploring Queer Art and Desire — Full Movie Info
Step into the provocative world of *Drawing the Line (1992)*, a groundbreaking short documentary directed by Lorna Boschman. This 7-minute experimental film dives into the 1992 photo exhibition of the same name, curated by the queer collective Kiss & Tell—featuring artists Persimmon Blackbridge, Lizard Jones, and Susan Stewart. The exhibit invited viewers to scribble their reactions directly on the walls, blending commentary on lesbian sexuality with the raw energy of queer voices. Equal parts confessional, erotic, and political, the tape captures the tension between art, desire, and societal taboos, all wrapped in a soundscape that oscillates between playful intimacy and unfiltered honesty.
Drawing its title from the act of literal and metaphorical boundary-pushing, *Drawing the Line (1992)* challenges viewers to confront their own discomfort around representation, pleasure, and power. Boschman's lens turns spectators into participants, weaving together the erotic artwork with the candid reactions of those who experienced it. For fans of queer cinema and feminist art, this is a fleeting but unforgettable snapshot of a movement demanding visibility—and it's all over in under ten minutes.