

Weekend 1967
Jean-Luc Godard's Weekend (1967) transforms a deceptively simple road trip into a surreal, chaotic reckoning with modernity's failings.
Director: Jean-Luc Godard
Cast








Frequently Asked Questions
What is Weekend (1967) about?
Weekend follows a married couple whose weekend getaway to the countryside spirals into a nightmarish odyssey of gridlock, political chaos, and moral decay. As societal structures unravel, their journey becomes a surreal critique of greed and class entitlement. The film's tone blends dark comedy with apocalyptic dread.
Who directed Weekend?
Weekend was directed by Jean-Luc Godard, the visionary filmmaker and pioneer of the French New Wave. Known for his experimental style and radical storytelling, Godard used this film to push boundaries and challenge societal norms.
Who stars in Weekend?
The film stars Mireille Darc and Jean Yanne as the central couple, supported by Jean-Pierre Kalfon and Juliet Berto in key roles. Their performances anchor the film's mix of absurdity and intensity.
Is Weekend (1967) worth watching?
If you love bold, thought-provoking cinema, Weekend is absolutely worth your time. Its unconventional narrative and Godard's uncompromising vision may frustrate some, but for fans of avant-garde films, it's a must-see. The film's themes and style make it a standout in both the New Wave movement and cinematic history.
How long is Weekend?
Weekend runs for 104 minutes, delivering a tightly packed but relentless cinematic experience.
🎥 Trailer
About Weekend (1967) — Godard's anarchic satire of consumerism and societal collapse
Jean-Luc Godard's Weekend (1967) transforms a deceptively simple road trip into a surreal, chaotic reckoning with modernity's failings. What begins as a bourgeois couple's attempt to inherit family wealth spirals into a darkly comic nightmare of ceaseless traffic jams, violent uprisings, and even cannibalism—satirical reflections on consumerism and societal collapse. Shot in Godard's signature provocative style, the film blends absurdist humor with biting social commentary, creating an atmosphere that oscillates between farce and dread. Starring Mireille Darc and Jean Yanne as the disillusioned protagonists, Weekend is less a traditional narrative and more an explosive cinematic manifesto.
A masterclass in disruptive filmmaking, Weekend (1967) challenges viewers to confront the hypocrisies of post-war France through its fragmented storytelling and jarring imagery. The film's themes of revolution, greed, and moral decay resonate as strongly today as they did over half a century ago, cementing its status as a cult classic and essential watch for fans of avant-garde cinema.




