The Hundred Videos #4 1996
Dive into the avant-garde world of *The Hundred Videos #4 (1996)*, part of Steve Reinke's groundbreaking 100-video project spanning 1989-1996.
Director: Steve Reinke
Frequently Asked Questions
What is The Hundred Videos #4 (1996) about?
This installment of Steve Reinke's 100-video project dives into existential themes like death, sex, and philosophy through a series of abstract video essays. Each segment explores the boundaries of contemporary art and personal expression in a unique, thought-provoking style.
Who directed The Hundred Videos #4?
The film was directed by Steve Reinke, a prolific video artist renowned for his experimental and introspective approach to the medium.
Who stars in The Hundred Videos #4?
Cast details for this project are not publicly listed, as it's an experimental compilation of Reinke's video works rather than a traditional narrative film.
Is The Hundred Videos #4 (1996) worth watching?
If you're drawn to avant-garde cinema and video art that challenges conventions, *The Hundred Videos #4* is absolutely worth watching. Its abstract themes and Reinke's bold style make it a standout in experimental filmmaking, even if it's not for everyone.
How long is The Hundred Videos #4?
The runtime for *The Hundred Videos #4* is 59 minutes.
About The Hundred Videos #4 (1996) — Steve Reinke's experimental video-art masterpiece
Dive into the avant-garde world of *The Hundred Videos #4 (1996)*, part of Steve Reinke's groundbreaking 100-video project spanning 1989-1996. This installment, featuring videos 55-78, weaves together a tapestry of existential themes—death, desire, the human form, philosophy, and the boundaries of contemporary art. Reinke's experimental approach blends documentary realism with abstract animation, creating a hypnotic, intellectual atmosphere that challenges viewers to question the very nature of perception and meaning.
The Hundred Videos #4 is less a traditional narrative and more a provocative video-essay, a snapshot of late-20th-century artistic introspection. Each segment—from *Symposium* to *The End of My Death*—pushes boundaries, merging personal reflection with cultural critique. For fans of unconventional cinema, this is a must-see exploration of how video art can transcend its medium to evoke raw, unfiltered emotion.