
We Need No Money 1931
Carl Boese's sparkling 1931 German comedy *We Need No Money* follows an audacious American uncle from Chicago who lands in the sleepy town of Groditzkirchen with little more than a ten-dollar bill and a big dream.
Director: Carl Boese
Cast










Frequently Asked Questions
What is We Need No Money (1931) about?
*We Need No Money* (1931) is a German comedy about an American uncle who arrives in Groditzkirchen with next to no money but plenty of ambition. To bankroll his grand lifestyle, he enlists a reluctant bank clerk and pretends to be a wealthy millionaire, setting off a chain of hilarious misadventures based on lies and borrowed credit.
Who directed We Need No Money?
Carl Boese directed *We Need No Money* (1931), a classic of early German sound cinema known for its blend of wit and social satire.
Who stars in We Need No Money?
The film features Hedy Lamarr in one of her earliest film roles, alongside Heinz Rühmann, Hans Moser, Ida Wüst, and Kurt Gerron in a lively ensemble cast.
Is We Need No Money (1931) worth watching?
For fans of classic comedies and early talkies, *We Need No Money* is a delightful time capsule of Weimar-era charm. While it may not rank among the most famous films of 1931, its clever plot and engaging performances make it a fun watch for those who appreciate lighthearted, clever farce.
How long is We Need No Money?
We Need No Money runs for 92 minutes, offering a brisk, entertaining ride through its comedic escapades.
About We Need No Money (1931) — A Penniless Millionaire's Wild Scheme in German Comedy
Carl Boese's sparkling 1931 German comedy *We Need No Money* follows an audacious American uncle from Chicago who lands in the sleepy town of Groditzkirchen with little more than a ten-dollar bill and a big dream. Posing as a millionaire on borrowed credit, he ropes an unsuspecting bank clerk into helping him spin a web of extravagant lies, leading to a whirlwind of mistaken identity and financial farce. With sharp wit and playful energy, the film captures the absurd lengths people go to for perceived status, all wrapped in the golden sheen of early cinema charm.
Hedy Lamarr sparkles in one of her earliest roles, bringing effortless charisma to the ensemble alongside Heinz Rühmann's everyman charm and Hans Moser's knack for comedic timing. Set against the backdrop of Weimar-era optimism, *We Need No Money* balances mischief with heart, offering a snapshot of a society where reputation often outweighed reality. The result is a lighthearted romp that's as clever as it is entertaining.