Oratorio 2008
Stéphane Marti's *Oratorio* (2008) is a hypnotic, nine-minute short film that blends the sacred and the surreal.
Director: Stéphane Marti
Cast
Frequently Asked Questions
What is *Oratorio* (2008) about?
*Oratorio* follows a trio of mischievous companions as they wander through Père Lachaise Cemetery, their playful antics set to the rhythm of a Baroque oratorio. The film's surreal visuals and poetic text explore themes of friendship, spontaneity, and the delicate balance between joy and melancholy.
Who directed *Oratorio*?
*Oratorio* was directed by Stéphane Marti, an artist known for his experimental and visually striking short films.
Who stars in *Oratorio*?
The film stars Samuel Ganes, Thomas Lagrève, and Romain Poli as the trio of companions at the heart of the story.
Is *Oratorio* (2008) worth watching?
While *Oratorio* is a niche short film, its experimental nature and haunting visuals make it a compelling watch for fans of avant-garde cinema. The film's atmospheric blend of music, text, and movement offers a unique experience in just nine minutes.
How long is *Oratorio*?
The runtime of *Oratorio* is approximately 9 minutes.
About Oratorio (2008) — A Super-8 Short Film Where Baroque Meets Cemetery Whimsy
Stéphane Marti's *Oratorio* (2008) is a hypnotic, nine-minute short film that blends the sacred and the surreal. Set against the gothic beauty of Père Lachaise Cemetery, the story follows three whimsical companions—portrayed by Samuel Ganes, Thomas Lagrève, and Romain Poli—whose playful antics unfold in a dreamlike rhythm. Shot in super-8 with a dominant black-and-white palette, the film's jerky, stroboscopic visuals mirror the frenetic energy of a Baroque oratorio, while excerpts from Dominique Noguez's *Le Dictionnaire de l'Amour* weave poetic counterpoints into their wandering journey. The result is a fleeting yet unforgettable meditation on friendship, mortality, and the joy of life's small, spontaneous moments.
Marti's experimental approach transforms a cemetery into a stage for mischief and melancholy, where the trio's elfin charm clashes with the solemnity of their surroundings. The interplay between movement and stillness, text and image, creates a hauntingly lyrical atmosphere that lingers long after the credits roll—proof that brevity can carry profound artistic weight.
*Oratorio* (2008) is a testament to the power of avant-garde filmmaking, where every frame feels like a brushstroke in a living painting.