Petite Mort 1983
Petite Mort (1983) is a hypnotic short film by Ghislaine Gohard that transports viewers to a pivotal moment in French television history.
Director: Ghislaine Gohard
Cast
Frequently Asked Questions
What is Petite Mort (1983) about?
Petite Mort is an experimental short film that captures the dawn of France's limited television landscape in 1983. It explores the psychological and sensory shifts caused by early video editing and broadcast technologies, blending poetic visuals with philosophical musings on space and time.
Who directed Petite Mort?
Petite Mort was directed by Ghislaine Gohard, a filmmaker known for her innovative approach to early video art and experimental cinema.
Who stars in Petite Mort?
The film features Luc Bernard and Laurent Churet as the key performers in this evocative short.
Is Petite Mort (1983) worth watching?
As an unrated experimental short, Petite Mort isn't for everyone, but it's a fascinating time capsule for cinephiles and media theorists. Its bold visual storytelling and intellectual depth make it a compelling watch for those interested in the intersection of art and technology.
How long is Petite Mort?
Petite Mort has a runtime of 6 minutes.
About Petite Mort (1983) — Experimental Short Exploring Early TV's Impact on Perception
Petite Mort (1983) is a hypnotic short film by Ghislaine Gohard that transports viewers to a pivotal moment in French television history. Created in an era when only three channels existed in France, this six-minute experimental piece blends early graphic editing techniques with profound reflections on technology's transformative power. The atmosphere is electric yet introspective, capturing how nascent visual and auditory technologies reshaped human perception, time, and space.
Gohard's collaboration with Marshall McLuhan and Paul Virilio infuses the film with intellectual depth, questioning how emerging media altered our sensory experiences and spatial awareness. With its striking visual palette and meditative pacing, Petite Mort (1983) serves as both a time capsule and a philosophical meditation on the early digital age. A must-see for fans of experimental cinema and media theory alike.