
On the Palm 1987
Set against the gritty backdrop of 1980s Britain, *On the Palm (1987)* follows Fledge, a desperate job seeker willing to take any work to escape the drudgery of unemployment.
Director: Michael Whyte
Cast







Frequently Asked Questions
What is On the Palm (1987) about?
The film centers on Fledge, a struggling man who takes odd jobs for quick cash, only to find himself embroiled in a morally murky assignment that forces him to betray a friend. It's a stark exploration of desperation and the choices that define us in hard times.
Who directed On the Palm?
Michael Whyte directed *On the Palm*, bringing a raw, realistic tone to this 1980s drama.
Who stars in On the Palm?
The cast includes Peter Martin, Cathy Tyson, James Hazeldine, Philip Jackson, and Bert Parnaby, delivering powerful performances that anchor the film's tense narrative.
Is On the Palm (1987) worth watching?
As a low-budget but high-impact drama, *On the Palm* offers a compelling snapshot of 1980s Britain, though its TV movie roots may limit its scope. Fans of gritty character studies will find it rewarding, despite its unrated status on IMDb.
How long is On the Palm?
The runtime is 80 minutes.
About On the Palm (1987) — A Gritty 80s Drama of Survival and Betrayal
Set against the gritty backdrop of 1980s Britain, *On the Palm (1987)* follows Fledge, a desperate job seeker willing to take any work to escape the drudgery of unemployment. Director Michael Whyte crafts a tense drama exploring moral compromise as Fledge is drawn into a shadowy world of cash-in-hand errands orchestrated by the enigmatic Dawlish. When his duties escalate to digging up dirt on an old friend, Fledge must confront the cost of survival and the blurred line between necessity and betrayal.
With its moody atmosphere and raw performances, this TV movie delves into themes of economic hardship, loyalty, and the desperate choices people make. Starring Peter Martin in a standout role, alongside a talented ensemble including Cathy Tyson and James Hazeldine, *On the Palm* offers a gripping snapshot of a society on the edge, where every handout comes with strings attached.