Promenade du dragon à Cholon, IV 1900
Released in 1900, 'Promenade du dragon à Cholon, IV' stands as an intriguing early documentary from pioneering filmmaker Gabriel Veyre.
Director: Gabriel Veyre
Frequently Asked Questions
What is Promenade du dragon à Cholon, IV (1900) about?
This early documentary film captures a traditional dragon procession taking place in Cholon, documenting cultural celebrations and community rituals through silent cinema techniques typical of the 1900 era.
Who directed Promenade du dragon à Cholon, IV?
The film was directed by Gabriel Veyre, an early cinema pioneer known for documenting cultural subjects during the silent film period.
Who stars in Promenade du dragon à Cholon, IV?
Cast information for this 1900 documentary is not available, as the film focuses on documenting real cultural events rather than featuring specific actors.
Is Promenade du dragon à Cholon, IV (1900) worth watching?
For enthusiasts of early cinema and cultural documentaries, this film offers valuable historical perspective despite its unrated status. Its ethnographic value and preservation of traditional practices make it significant for film history studies.
How long is Promenade du dragon à Cholon, IV?
Runtime details are not listed for this early silent documentary film from 1900.
About Promenade du dragon à Cholon, IV (1900) — Early Documentary Film
Released in 1900, 'Promenade du dragon à Cholon, IV' stands as an intriguing early documentary from pioneering filmmaker Gabriel Veyre. This historical short captures a traditional dragon procession through the bustling streets of Cholon, offering viewers a rare glimpse into early 20th-century Vietnamese cultural celebrations. As one of the silent era's documentary works, the film preserves authentic moments of community ritual and artistic expression that defined colonial-era Southeast Asia.
The atmospheric recording showcases the vibrant colors and dynamic movement of dragon dance performers against the backdrop of historic Cholon architecture. Veyre's lens documents not just the spectacle itself, but the communal spirit and cultural significance embedded within these traditional ceremonies. While details about cast and runtime remain lost to time, the film's documentary style provides invaluable visual anthropology of a bygone era.
Fans of early cinema and cultural documentaries will appreciate this historical artifact's preservation of intangible heritage. The film's ethnographic approach makes it a fascinating study for those interested in the intersection of technology and tradition. Available for viewing through archival collections, 'Promenade du dragon à Cholon, IV (1900)' remains accessible across multiple platforms for serious film historians.