The Child 1977
"Let's play hide and go kill...!"
Robert Voskanian's eerie 1977 horror-mystery *The Child (1977)* unfolds in the shadowy corners of early 20th-century California, where a young woman named Alicianne steps into a role as a nanny for the grieving Rosalie Nordon.
Director: Robert Voskanian
Cast
Frequently Asked Questions
What is The Child (1977) about?
After her mother's death, young Rosalie Nordon is cared for by a new nanny, Alicianne, who soon realizes the girl's eerie ability to animate objects when enraged. As Alicianne navigates the isolated Nordon household, she uncovers dark secrets tied to Rosalie's powers, leading to a chilling confrontation that blurs the line between innocence and menace.
Who directed The Child?
Robert Voskanian directed *The Child*, crafting a slow-burn horror-mystery that leans into psychological unease and supernatural dread.
Who stars in The Child?
The film features Laurel Barnett as Alicianne, alongside Rosalie Cole as Rosalie Nordon, Frank Janson as Mr. Nordon, Richard Hanners as Len, and Ruth Ballan in a supporting role.
Is The Child (1977) worth watching?
*The Child* is a cult gem for fans of atmospheric horror that prioritizes mood and mystery over gore. While its IMDb rating is unlisted, the film's unique premise and eerie tone make it a standout for those seeking something different in the horror genre. It's not just about scares—it's about the dread of the unknown.
How long is The Child?
*The Child* runs for 82 minutes, making it a tight, concise thriller that packs its scares into a brisk runtime.
🎥 Trailer
About The Child (1977) — A nanny's nightmare in a house where toys aren't just for play
Robert Voskanian's eerie 1977 horror-mystery *The Child (1977)* unfolds in the shadowy corners of early 20th-century California, where a young woman named Alicianne steps into a role as a nanny for the grieving Rosalie Nordon. The secluded, rural Nordon estate is steeped in whispers and unease, with a neighbor offering cryptic warnings about the family's dark reputation. As Alicianne meets the brooding father Mr. Nordon, his painfully shy son Len, and the unsettling Rosalie, she soon discovers the girl possesses a chilling ability: when angered, Rosalie can bend objects to her will, hinting at a supernatural force lurking beneath the surface. The film masterfully blends psychological tension with supernatural dread, painting a portrait of isolation and unseen terror that lingers long after the credits roll.
With its atmospheric storytelling and undercurrent of folklore, *The Child* taps into primal fears of childhood innocence twisted into something malevolent. Voskanian crafts a slow-burning atmosphere where every creaking floorboard and flickering candle flame feels pregnant with menace, all set against the backdrop of a bygone era that feels both timeless and claustrophobic. The mystery deepens as Alicianne uncovers the truth behind Rosalie's powers, leading to a climax that's as haunting as it is ambiguous.