Kiss or Kill 1918
"The play that keeps you guessing to the very last scene."
Dive into the gripping silent-era crime drama *Kiss or Kill* (1918), directed by Elmer Clifton, where desperation meets audacious deception. Henry Warner, played by Herbert Rawlinson, finds himself at rock bottom—broke, coatless, and harassed by his landlady.
Director: Elmer Clifton
Cast
Frequently Asked Questions
What is Kiss or Kill (1918) about?
The film follows Henry Warner, a broke man driven to theft after selling his coat, who gets tangled in a dangerous plot when he steals a wallet and meets a mysterious employer. His new job? Stealing back a critical will from his employer's own nephew—a mission that tests his morals and survival instincts.
Who directed Kiss or Kill?
Elmer Clifton directed this 1918 silent crime drama, known for his work in early cinema that often blended suspense with dramatic tension.
Who stars in Kiss or Kill?
The film features Priscilla Dean, Herbert Rawlinson, Harry Carter, and Alfred Allen in key roles.
Is Kiss or Kill (1918) worth watching?
While the IMDb rating is unrated, *Kiss or Kill* offers a compelling snapshot of silent-era crime drama with strong performances and a tight plot. Its themes of desperation and moral compromise make it a curious watch for fans of vintage cinema, despite its age.
How long is Kiss or Kill?
The film runs for 50 minutes.
About Kiss or Kill (1918) — Silent Crime Drama with High-Stakes Deception
Dive into the gripping silent-era crime drama *Kiss or Kill* (1918), directed by Elmer Clifton, where desperation meets audacious deception. Henry Warner, played by Herbert Rawlinson, finds himself at rock bottom—broke, coatless, and harassed by his landlady. When fate offers him a chance to snatch a wallet from a wealthy stranger, his impulsive theft spirals into a high-stakes chase. Cornered, he stumbles into the home of Middleton (Alfred Allen), a cunning figure who sees potential in Henry's recklessness and recruits him for a dangerous mission: swiping a vital will from his own nephew.
Clifton crafts a tense, morally ambiguous tale where survival clashes with loyalty, and every choice could mean life or ruin. Priscilla Dean's presence adds depth to this silent thriller, blending drama with the grit of early 1900s crime stories. *Kiss or Kill* isn't just a heist gone wrong—it's a psychological chess match where betrayal lurks around every corner.